“Flower Gems of India” by Bvlgari Joins Forces with 100 Family-owned Farms in India

Bvlgari perfume division has announced their newest partnership, a collaboration dubbed “Flower Gems of India.” The program, which has been praised for its efforts to support 100 family-owned Indian Jasmine farms, will feature perfumes designed by Firmenich and Jasmine Concrete, a specialist in the production of floral extracts for perfumes. The three-year long program will focus on flowers produced in India’s Tamil Nadu state.

The Italian house, which was founded in Rome nearly 150 years ago, has long maintained a passion for sourcing the best of materials. The “Flower Gems of India” is a demonstration of Bvlgari’s undying resolve for creating remarkable products that bridge the gap between luxury and sustainable, ethical and responsible production.

“It became important to us that we contribute to support the communities that enable us to create our masterpiece fragrances, and that we establish a sustainable approach to preserve and support the local economy. Like our jewels, our fragrances are crafted from nature’s finest gems and we are passionate about finding, sourcing, and wherever possible, supporting the production of these extraordinary ingredients,” says Jean-Christophe Babin, Chief Executive Officer of Bvlgari.

Sound, scientifically based farming techniques are at the heart of Bvlgari’s approach to Jasmine production. Methods will focus on advising small farms on how they can improve soil quality and better manage their water supply to ensure improved quality flowers and ultimately higher levels of profits to improve the farmer’s and their family’s own quality of life.

Most importantly of all, Bvlgari’s “Flower Gems of India” will help promote and keep alive the act of traditional Indian flower cultivation and improve the livelihood of Indian Farmers.

Image credit: © Bvlgari, courtesy of LVMH

4 Organizations Fighting for Our Oceans

As the threat of climate change continues to worsen with each passing day, it’s important now more than ever to take action and spread awareness towards issues of environmental conservation and sustainability. While there are many aspects of the ecosystem that need tending to during this time of environmental crisis, the ocean is a major one to focus on seeing as it makes up nearly three-quarters of the Earth’s surface. Luckily, several organizations have recently been developed entirely around this issue of aquatic conservation to help lessen the detrimental effects of global climate change.

One of these organizations, the Save Our Seas Foundation, stands as a fine example of just how much of an impact can be made with determined, hard-working people banding together in an effort to solve a major issue. Primarily, this philanthropic organization based in Geneva, Switzerland, functions as a means of funding for scientific projects being conducted by passionate researchers, educators, and conservationists all over the world, regardless of location. While of course the Save Our Seas Foundation is concerned with the overall wellbeing of the ocean, they have a specific focus on protecting the lives of oceanic creatures like sharks and rays. However, this specific shark and ray research is managed by the Save Our Seas Foundation at their research and education centers located in the USA, South Africa, and the Seychelles.

In an interview with the Save Our Seas Foundation CEO Michael Scholl, I inquired further about the foundation itself and why saving the ocean is important in our day and age. As a man of scientific background himself, Scholl explained to me that sharks and rays represent one of the ancient groups of vertebrates with them having drifted through our ocean for 400 million years. This enduring presence coupled by their significant level of value in the marine food chain has made these members of marine life essential in the balance of the ocean’s ecosystem. For the continuance of our beloved ocean, funding, supporting research, and conservation projects on the most endangered or threatened species or populations of sharks and rays are necessary. “There’s a lot of interesting projects, but I would say a stand-out one is working to try to find a solution to the interaction between human and shark,” Scholl said of the Shark Spotters founded projects in Cape Town, South Africa, “It tries to find a new solution to an old problem, but a solution that’s not harmful to the environment or for sharks, so that’s an interesting project we’ve been funding for the past eight years now. On the other hand, in 2019, we supported around 40 projects in 50 countries with a specific focus on sawfish, wedgefish and guitarfish, which as some of the most threatened species in our oceans. Surprisingly, little is known about these shark-like rays…”

Another organization that works intimately with aquatic issues is Ocean Conservancy. This group tends to focus on long-term effects of their efforts to help sustain the ocean through tactics that “promote a healthy ocean, abundant wildlife and thriving coastal communities.” Although based in Washington DC, Ocean Conservancy is a global organization that aims to reach every location possible so that there is maximum effort being put towards this current vital issue. Ocean Conservancy strives to help create policies in advocacy for the ocean at state government levels as well as the federal level. Like the Save Our Seas Foundation, Ocean Conservancy also relies on heavy scientific research and aims to protect the oceanic wildlife that are struggling to adapt to the constantly growing effects of climate change.

Additionally, Ocean Conservancy has a lot of internal programs within the organization that deal with even more specific issues rather than just the entire ocean in general. Some of these include programs like Trash Free Seas, Restoring the Gulf of Mexico, Sustainable Fisheries, and Confronting Ocean Acidification, just to name a few. Their program entitled “Protecting the Arctic” serves to tackle the rapid warming of the Arctic since it’s now heating twice as quickly as the rest of the world. To help solve this issue, Ocean Conservancy has come up with a multitude of solutions. For example, to fight dangerous offshore drilling in the Arctic waters, Ocean Conservancy works to oppose new leases for oil and gas companies to expand this harmful practice. In addition, they are also working to make Arctic Ocean protection an international issue by writing up treaties, developing marine-protected networks, and ensuring “the best scientific information available to cultivate management plans for this remote and rapidly changing region.”

A smaller, yet just as thorough organization that also handles issues of ocean conservation and sustainability is the Surfrider Foundation. Founded in Malibu, California in 1984, The Surfrider Foundation has since grown from a small advocacy group to a large-scale activist organization that currently holds over 50,000 members and almost 100 chapters around the world. Unlike the previous two organizations I have just discussed, Surfrider tends to focus more on the ocean itself, like improving water quality, beach preservation, and beach access, rather than devoting most of their resources to aquatic wildlife. However, they do also work to maintain marine ecosystems, as well.

While Surfrider offers several programs to participate in, Rise Above Plastics stands as an extremely relevant project to undertake in our modern day and age. Although most people don’t think much of their personal plastic consumption, it’s estimated that the average person in North America uses at least 220 pounds of plastic each year, according to The Globalist. To combat this striking epidemic of un-biodegradable waste, the program Rise Above Plastics works to protect the marine environment by advocating for more recycling, reduction of one-time use plastics, and generally raising more awareness on the issue. And, in addition to working internally within the Surfrider Foundation on plastic pollution, Surfrider provides easily accessible tips and guides online that practically anyone could follow. It’s with this type of thoughtfulness and thoroughness that has allowed Surfrider to blossom into the foundation that it is today.

Finally, the more online-based organization, eco-nnect, works diligently to engage and educate users on the environment around them. The website is filled with articles, videos, and quizzes, as well as petitions pertaining to certain issues that anyone could support directly online through the use of external sites like Change.org. For example, the current petition listed on the organization’s site has 1,550 supporters as of now and is entitled “Ban Shark Fishing in the EU #bansharkmeat.” This petition listed by eco-nnect, like the other ocean conservation organizations previously mentioned, aims to protect the wildlife of the sea; more specifically, sharks. “Currently no EU country has any shark fishing regulation, or legislation advocating for transparency in regards to fish meat! So we started a petition,” as noted in the petition’s mission statement.

Although eco-nnect isn’t as well-known or as well-populated as some of the other organizations already mentioned, it serves as a great stepping stone for those who wish to gain more education on the environment before deciding to make any big moves. The articles on the site pertain to interesting and relevant topics for a young audience, which is essential to propel this conservation and sustainability movement forward. Additionally, the eco-nnect quizzes allow for an online interaction between the user and their thirst for environmental knowledge in a fun, light-hearted manner.

While of course there are a countless number of other organizations that could have made this list, it’s important to recognize a few in particular for their dedicated and passionate drive that has led to their fantastic environmental contributions. From the 300 projects supported by the Save Our Seas Foundation since its inception in 2003 to the programs led by Ocean Conservancy and Surfrider to the online presence of econnect, people all over the world can learn and participate in efforts to help protect the oceans and its ecosystems all thanks to devoted organizations like these.

scUber: Taking Rideshares Down Under(water)

In the most recent evolution of transportation technology, San Francisco based Uber Technologies has launched their latest innovation titled “scUber,” in which users can explore the Great Barrier Reef via the world’s first private submarine ridesharing service. With this new underwater opportunity, travelers visiting Queensland, Australia can now experience an hour-long submarine ride for two, as well as other amenities like scenic helicopter rides for the price of $3,000 AUD (roughly $2,060 USD).

Looking forward beyond the typical mode of automobile transportation, Uber has added marine travel to their ever growing list of creative ridesharing and transportation services, along with UberCopter in France and UberBoat in Croatia and India.

This scUber experience will be offered in Queensland, Australia from May 27 to June 18, 2019 for what Uber describes as a “once-in-a-lifetime experience [that] will provide riders with an unfiltered view of an extraordinary underwater world, rich and diverse in marine life.” Stretching across 2,300 kilometers (or about 1,430 miles), the Reef accounts for 10% of all coral reefs on Earth and is home to a diverse multitude of sea life like whales, sharks, manta rays, and turtles just to name a few. With the international prestige the Great Barrier Reef has, this recent development in aquatic adventures has ushered in an era of increased accessibility for tourists to safely visit the Reef, while also supporting efforts to preserve it.

As climate change continues to pose more threats to the survival of the Reef, the complex ecosystem that it holds is in danger of becoming extinct. Functioning as a source of sanctuary and nourishment for both humans and sea creatures alike, the death of the Great Barrier Reef could greatly impact the local Australian sea life, as well as standing as a precursor image for future extinctions of other natural wonders of the world. Because the Great Barrier Reef is more than just a fun tourist attraction, Uber has made sure that its presence there in Australia is more beneficial than detrimental to its conservation process.

In addition to the funds being generated through scUber users, Uber has donated another $100,000 AUD (about $70,000 USD) to Citizens of the Great Barrier Reef, an organization dedicated entirely to preserving the Reef and creating discourse on sustainability in general. The submarines used in this scUber experience will also be working to gather data for coral reef research on aquatic conservation.

Although scUber is primarily an experience for daring tourists to engage with, its creation is making great strides in maintaining essential parts of our ecosystem that would otherwise be left to fend for itself. Now, users will be able to enjoy their vacations while simultaneously contributing to important research and issues of environmental sustainability through an immersive aquatic adventure.

Images courtesy of: Tourism and Events Queensland

Over the Moon with Makenzie Moon Phelan

Makenzie Moon Phelan in the Studio, all images courtesy of the artist, 2019.

The Extravagant discusses art, culture and makeup with Makenzie Moon Phelan, NYC based artist and socialite, and daughter of wickedly fun art world patrons Amy and John Phelan. Drawing from a wide range of cultural references, we dive into her work as a makeup artist and her contemporary art practice:

What drew you to the world of make-up?  What do you feel is the role of the make-up artist and how does your fine art background (i.e. painting) inform your practice?

“Since I was young, I have been interested in both fine art and make-up for cinema or fashion.  Before parties and events, my mom and her friends would have me apply their make-up just at the age of seven, and I realized this is something I really enjoyed creatively. Creating and being around Contemporary Art heavily influences my make-up practice.  From thinking about how palettes and materials work together, to the physical application of pigment is so painterly.”

What inspires you, where do you draw inspiration from?  We noticed Stephen Hawking on your Insta, who inspires you?

“In my opinion, everyone’s view of the world is very different up to the point where my blue could be your green. I think how different people view our world is what has shaped and shifted basic human knowledge and understanding. Whether it be philosophers, artists, scientist, or famous mathematicians; had they not shared their personal world [inside of their head] with the public, our universe would lack so much color and expansiveness.”

“I am really inspired by the artists Will Cotton, Marilyn Minter, Marc Dennis, and Richard Phillips due to their fine craft. Currently I’m hooked on this brilliant Italian artist Paola Pivi. I think the mind and methods behind her works are beautiful.”

“I am also really inspired by trends in decades. I love the 60’s, especially Edie Sedgwick, and I also am fascinated with 18th Century aesthetic. Adding contemporary palettes to an old time period is really fun for me.”

Ornamentation on an anthropological level exists throughout human history, what is the role of make-up in society in your opinion?

“Makeup is a form of self expression. It also allows people the ability to enhance their natural beauty by using different color palettes, glitter, symbols and light diffusion.”

What is your dream commission as a make-up artist?  Is it cinema, is it runway, etc;

“I feel like my work is multi-faceted, so I would be thrilled to work in film or runway, but my dream project would be any form of collaboration or work with Ve Neill [of Beetlejuice and Hunger Game fame] one day. She is an extremely powerful woman in the makeup industry who’s work has influenced me since I was a little kid.”

What trends do you love in make-up and obversely what do you dislike?  Favourite brands? Favourite makeup artists?

“My favorite trend in makeup is a basic cat eye with a red lip. I usually never leave my house without a cat eye. It’s a classic yet sexy look. I’m also really into the 60’s makeup trends. I think the big brows, dark sculpted eyes and dramatic lashes is a very feminine and playful look. I also love drag makeup. I’ve learned some of the best techniques through the drag community when I was living in London.”

“I’m not a huge fan of the heavy contour look, or any kind of makeup that covers freckles. I think makeup should always enhance one’s natural and inner beauty.”

“My favorite makeup artist in the beauty industry of all time is Charlotte Tilbury, that is a person I would also love to work with. In the special effects realm my favorite artist is Ve Neill. Pertaining to music, it is hard for me to pin down a favorite band, but my favorite musician is Marilyn Manson. I think he is brilliant, and a walking piece of art. There’s so much more to him than what lays on the surface.”

What is the relationship between art and fashion?

“Both art and fashion are an extension of an individual’s creativity.  Creating or collecting art is an expression of self, just as fashion is.”

When did you become interested in art?

“From a very young age I have been creating art!  I grew up in a household that not only welcomed creativity, but championed it.  I have always been surrounded by incredible works of contemporary art, and I feel very fortunate that in most cases I know or am friends with the artist that has made them.”

Tell us about your own work as an artist? What projects have you taken part of? What’s your favourite media to work in (other than cosmetics)

“I love working with oil on canvas, and have had private instruction by some incredible artists such as Marc Dennis and Will Cotton. When I was younger, the problems I faced growing up (my personal inner turmoil) created a lot of noise in my head, I started writing poetry at a very young age as an outlet, then began illustrating the emotions behind my poetry and it evolved from there.”

How do you navigate between a cultural patron, an artist, and a muse?

“I don’t see these as being separate parts of my personality.  I think they all relate to each other, and I am just thrilled I can be part of a creative community in all of these capacities. People inspire me on a daily basis, and I feel happy I can inspire others as well.”

How does growing up in a family of art collectors impact your own aesthetic preferences?

“Growing up around some of the best examples of contemporary art is an incredible education.  Not only do I get to learn about new artists, but I am able to study the depth behind the individual behind the work, and learn about the material process of an artist. It also really helped me embrace my individuality as a person, leaving me unafraid to push boundaries with the way I dressed, or wore my makeup. Growing up around art the way I did also inspired me to let go of any fear of being experimental.”

Without any limitations tell us five artists or works of art you’d love to see in your dream collection.

1. One [of] Paola Pivi’s colorful feathered (life size) Polar bears and a piece from her “Zebras” series 
2. One of Marilyn Manson’s water color pieces 
3. Anything by Marc Rothko
4. One of Will Cotton’s Cake Sculptures
5. A Donald Judd “Stacks”

Are you affiliated with any institutions, foundations, or organizations?

“I just moved back to New York City, and am exploring new opportunities. As of right now I am affiliated [with] my family’s foundation. The Phelan Family Foundation believes that all people deserve the opportunity to succeed. To accomplish its mission, the Foundation funds a broad range of causes including education, the arts, health care, military personnel, and vulnerable populations. The Foundation seeks to address community needs at all levels—be it access to clean water, safe shelter and nutritious food, or education and training that unleashes the potential for economic prosperity. It also seeks to effect lasting change and measurable outcomes, while maintaining the Phelans’ sense of compassion and gratitude to the world.”

Having lived in many different places: where is home, literally and philosophically?

“I am currently based in New York, which is where I grew up. New York City is home for me.  I’ve spent time living in London and Los Angeles, but I recently moved back to NYC after finishing a program in special effects makeup on the West coast.  I also spend a lot of time in Palm Beach, FL and Aspen, CO with my family.”

What are some of your favourite places to visit in the world, what shouldn’t we miss?  What are some of your favourite art world or cultural events?

“Every summer I look forward to attending the ArtCrush events for the Aspen Art Museum, an event hosted by my amazing Mother, Amy Phelan. My favorite places I’ve traveled to though are Dubai, Chiang Mai, Jaipur, and Kyoto.”

Follow more of Makenzie Moon Phelan’s adventures on Instagram at:
@Moonefx @Kenziemooner

Space For Giants: The Conservation of African Elephants

Safeguarding the natural habitat of the Elephant and protecting them from poachers and other potential threats is a mission that Space For Giants dedicate themselves toward. Serving as an international conservation organization, with a Global Headquarters in Kenya, Space For Giants is unwaveringly stuck to their mission for 2019.

Space For Giants was founded in 2011 by Dr. Max Graham, who spent over a decade prior to the organization’s creation in the field researching the behavior of Elephants and their conservation with the University of Cambridge. He received his PhD from Cambridge University and has published an extensive collection of research papers that touched upon conservation, Elephant behavior and human wildlife conflict.

Speaking on the organizations initiatives for 2019, Dr. Max Graham, CEO of Space for Giants stated: “We’re finding ourselves on an extraordinary trajectory as we enter 2019. We’ve spent the last decade trialling a toolkit of activities that we’ve proven works to protect Africa’s last huge biodiverse landscapes, and the elephants and wildlife that thrive there. Now, we’re working hard to export that approach to many new areas. There’s a perception that wildlife crime, especially poaching for elephant ivory, is reducing in Africa. In some places it is, after a great deal of work by the Governments of those countries – Kenya and Tanzania spring to mind. But in other places it’s not, and we have to move urgently to get to places like Angola before the poachers do. Our theory is that the fastest way to ensure landscapes remain economically productive in ways that are not ecologically destructive is to demonstrate the value that conservation can bring. Through tourism, especially, that’s a case that we’re going to be making very powerfully this year.”  

Data collected by Space For Giants’ Annual Impact Report, reveal to us that the area where the Elephants live as well as their overall population are being majorly affect by human involvement. Space For Giants want to help the Elephants live without the fear of being hunted for their ivory or losing more of the territory in which they reside. One of Space For Giants goals is to build a more harmonic relationship with the Elephants in order for both sides to co-exist. This demonstrates that peaceful solutions to many problems concerning the Elephant are being researched.

The Elephant Poaching Crisis caused immense damage to the Elephant population. Before the first Elephant Poaching Crisis in 1979, the Elephant population was flourishing at 1.3 million. After the first Elephant Poaching Crisis, the population was down to just 600,000. The latest Elephant Poaching Crisis which occurred in 2016, cut down the Elephant population to 415,000. The Elephants that once roamed much of Africa, are diminishing in size. If it were not for the unyielding efforts of organizations like Space For Giants, then who knows what state the Elephant population would be in now.

The dwindling Elephant population have suffered much decline due to poachers and the thinning out of their wildlife landscapes in Africa. The organization has been deeply concerned with how they are being treated, and are trying their hardest to allow these unbelievably majestic creatures a life free from the exploitation of avaricious poachers.

No matter where Space For Giants operate, they deliver the same message and activities that express how protecting Elephants and their native habitats can bring value. They train rangers to protect Elephants, assist in allowing farmers to coexist with Elephants, and use the rule of law to prosecute criminals like poachers, who are a threat to the wildlife. In addition, they campaign and spread stories to gather more support, help improve economies by introducing new conservation investment, and contribute science & research to inform others about their mission directive.

The organization has come up with many innovative approaches that would protect the habitat of the Elephants, such as delivering new investments to the conservation landscape. This method serves as a sustainable source of revenue for Space For Giants that not only benefits the local people, but also allows for more research to be generated and campaigns to go around. These are values that greatly raise awareness, which help the organization to gather support for the Elephants.

The aforementioned approach was tested in a certain part of Kenya and the results were exceptionally good. Elephant poaching decreased by 84%, wildlife crime convictions went up by 250%, over half a million acres of land was protected for conservation, human & wildlife conflict was lessened significantly and stories of conservation were widely spread to people in the millions. Space For Giants have obviously been making great strides in their mission of saving the Elephants and protecting wildlife landscapes from ruin.

Space For Giants plans to use this tried-and-true conservation approach on as many Elephant ranges they can throughout Africa. The organization intends to achieve this with the platform contributed from the Giants Club, which is a forum for driving political, technical, social and financial capital in the direction of protecting at least half of the Elephants in Africa and the territory they inhabit.

The level of Elephant poaching has seen a significant decrease in East Africa (specifically Kenya and Tanzania) as of 2019; however, that does not mean frontline protection in wilderness areas should slacken- it must persist. New technology is being applied to the landscapes, such as Laikipia in Kenya, to transfer ranger patrol data electronically to objective resources in a more timely and methodical way. Space For Giants predicts that this kind of programme will at least triple from the current 56,000 acres to 153,000 acres.

Sadly, Elephant poaching is a growing object of concern in Southern Africa, particularly the regions around Angola northern Botswana. The team at Space For Giants are working on ways to substantially boost the deployment of their integrated toolkit of which aims on strengthening court cases against suspected poachers. This will both convict a greater number of poachers as well as make the law a stronger deterrent to other poachers, which is likely to lower the degree of Elephant poaching significantly in Africa. Additionally, the organization will continue strengthening intelligence-led anti-poaching through a range of methods, such as bringing in a British former counter-terrorism expert to train law enforcement in some of the following: run informant networks, disrupt/hack comms, and interview arrested people for information.

The leading drive of Space For Giants is to demonstrate the economical and ecological value of conserved landscapes to the locals and national governments. That said, the primary focus is likely an extensive research piece on conservation investment that’s to be presented as the main feature of a first-ever pan-African president-led Conservation Investment Summit scheduled to take place in Zimbabwe sometime in May, which will be co-hosted by Space For Giants

For more information about Space For Giants, visit: SpaceForGiants.org

Peggy and David Rockefeller’s Private Collection Breaks Records at Auction

In what is being called the most significant charitable auction ever staged, Peggy and David Rockefeller’s private collection amounted to $832,573,469 USD, which also became the greatest total for a private collection.  The result of this philanthropical initiative was an unexpected yet pleasant surprise, as it had well outstripped the estimated figure that was anticipated for the entire collection and broke numerous auction records under fine and decorative arts.  This private collection of Peggy and David Rockefeller encompassed 1,500 pieces, and was completely sold after a six-month campaign, 10 days of online sales and just three days of auction at Christie’s Rockefeller Center in New York.

With a charitable aim, all of the estate proceeds from the collection will be redirected towards philanthropies that Peggy and David Rockefeller had given support to over the course of their lives.  These kind of charitable organizations encompassed the fields of greater levels of education, sustainable economic development, scientific studies & advancements, encouragement for the arts, land conservation drives, et cetera…

David Rockefeller, Jr. commented: “This week of auctions has exceeded our expectations in so many ways. Christie’s and our family had a shared financial goal of raising more than $500 million in estate proceeds for the 12 philanthropies our parents cared about so deeply, and it has been both humbling and deeply gratifying to see a sale total that reaches so far beyond that. These funds will provide very meaningful support to important institutions and foundations devoted to scientific research and higher education, support for the arts, foreign policy, and the conservation of coastal and agricultural lands.”

We are grateful to the Christie’s team for the deep care and attention they took in presenting our parents’ collection to the world over this past year. This was an experience that beautifully and thoroughly conveyed Peggy and David Rockefeller’s great passion for art, design, craftsmanship and beauty. Just as my siblings and our own children are full of pride and gratitude at the end of this historic week, we know our parents would feel the same.”

Noteworthy pieces of the collection include Picasso’s Fillette à la corbeille fleurie, which was sold for $115,000,000 (the second highest total paid for one of his pieces), Monet’s Nymphéas en fleur, which was realized for a record of $84,687,500, and Matisse’s Odalisque couchée aux magnolias that was acquired at $80,750,000, which broke through yet another auction record.

Pieces that set new records throughout the collection include Diego Rivera’s The Rivals that sold for $9,762,500, which broke a world auction record for both the artist himself as well as for a work of Latin American Art.  The Art of the Americas sale set a new record by itself for the category’s overall total, and Gilbert Stuart’s George Washington (Vaughan type) established a record for the artist at $11,562,500.  Another record was established amidst the decorative arts for 19th Century porcelain when porcelain belonging to the Sèvres ‘Marly Rouge’ service commissioned by Napoleon I, was realized for $1,812,500.

The focal points of the Travel and Americana sale was an extraordinary blue and white ‘Dragon’ Bowl that sold for $2,772,500, a magnificent Imperial Gilt-Bronze figure of Amitayus that was acquired for $2,532,500, which even set a recored for a Kangxi gilt-bronze, and an exquisite John Haynes Williams Whistling Swan duck decoy that broke an auction record for the maker which realized a total of $348,500.

Personal items of the late Peggy and David Rockefeller include a money clip with the outline of the Rockefeller Center (estimated at $800-to-$1,000) that was put up for auction in the Online sale, where it was finally bought for $75,000 in a bidding war between 13 bidders.  Other significant, personal keepsakes that were a part of the decorative arts was a Regency Mahogany four-pedestal dining table which sold at $468,500), and an English wicker picnic hamper from Asprey & Company that sold at $212,500 from an estimated $10,000.

As a leading figure in the art world, Christie’s held 350 auctions in 2017 with over 80 categories, such as fine and decorative arts, jewellery, photographs, collectibles, wine, and more.  So, with such a prominent name in the art business, this private Rockefeller collection had no doubt made huge waves by becoming the largest gross ever seen at auction for a single, private collection.

Guillaume Cerutti, Christie’s CEO, remarks,“Christie’s has been honored to represent the Rockefeller Estate and we are proud to have exceeded expectations. As well as raising a truly outstanding amount for good causes, we have sent a clear message about our commitment to our clients. This was an innovative and creative campaign, one that saw new engagement with influential tastemakers, the sharing of powerful stories across our content and digital platforms. We have led the market in our operational delivery, from the launch in Asia, as we worked as a truly global, integrated team. The sales bode well for the art market in the next months and we look forward to our 20th Century sales here in New York next week.”

The charitable event incorporated a 10-days viewing period, in which Christie’s accommodated 30,000 visitors to the grand exhibition, thereby providing them with a walk-through experience for the breathtaking pieces in the late Peggy and David Rockefeller’s private collection.  Christie’s, in partnership with VistaJet, worked together to present the global tour of collection highlights to major cities like London, Paris, Los Angeles, Hong Kong, Shanghai and Beijing, which resulted in over a total of 80,000 visitors participating in the exhibitions.  In addition, if you include online sales, the sale registrants hail from 53 countries.

Also, look forward to more of the Peggy and David Rockefeller’s private collection because nineteen lots of jewelry from it will be offered in the June 12 Magnificent Jewels sale.

Images Courtesy of:  Christies.com

Christie’s International Real Estate Showcases the upcoming Rockefeller Sale in Beverly Hills

The highly anticipated upcoming Christie’s auction regarding the collection of David & Peggy Rockefeller has received nothing short of royal welcomes, as it has made its way across the globe. The collection, which includes a widespread & diverse set of artwork is estimated to gross more than $500 million USD; the proceeds you say? They will go to benefit several charities selected by the late David & Peggy Rockefeller. Some of the organizations that stand to benefit from the sale include charities dedicated to medical, educational, cultural, and environmental causes.

“The Rockefeller Collection is arguably the most important and valuable to ever be sold at auction,” Christie’s International Real Estate Executive Director Zackary Wright said. “The opportunity to provide both art and real estate clients an up-close preview of this historic sale, as well as a glimpse into the lives of the Rockefellers and their passion for art and philanthropy, is what sets the Christie’s luxury brand apart from the others.”

On April 10th of 2018, Christie’s International Real Estate in collaboration with Hilton & Hyland, VistaJet and U.S. Trust hosted an exclusive gala style discussion titled “The Rockefellers: Art and Philanthropy, A Family Legacy”  which acted to conceptualize the upcoming May 8th through 11th auctions that will take place at the Rockefeller Center in New York City. The High Society committee included Marc Porter, Chairman of Christie’s Americas and John Goldwyn, producer of the hit TV series Dexter.

The committee, who explored insights on The Collection of Peggy and David Rockefeller also explored ideas and thought processes regarding the tax implications related to sale, donation, and holding of one’s own collection. The discussion was followed up by a chic gala and private preview of pieces belonging to the collection.

The collection consists of numerous works; pieces that are particularly noteworthy are Picasso’s Fillette à la corbeille fleurie (Young Girl with a Flower Basket), as well as a Claude Monet water lilies painting.

Images courtesy of: Christie’s International Real Estate

Milan Fashion Week: Moschino, Salvatore Ferragamo, and Versace are Auctioning Tickets for Charity

With Milan Fashion Week Just Around The Corner; it appears to be a pleasant surprise that philanthropic causes are in the air.  Italian Design Houses such as Versace have followed with a charitable campaign, just after Christian Dior announced the #DiorLoveChain in support of the WE Charity.

Up until September 18th & 19th some of Milan’s most well regarded designers including Moschino, Salvatore Ferragamo, and Versace have all collaborated to auction tickets to their upcoming shows during their Women’s S/S 2018 Fashion Shows during Milan Fashion Week.  The auctions are being held by Charity Stars who will donate the funds to a range of foundations selected by the Fashion Houses.

Choices abound for the Fashion lover with Salvatore Ferragamo passes including an invite to their after-show party on Sptember 23rd; with a bid currently at 1,000 Euros.  And Versace offering two tickets to their September 22nd show plus a post show meet and greet with Gianni Versace’s brother & Co-CEO of Versace, Santo Versace.  The current bid is up-to 5,000 Euros for the Versace tickets, with proceeds for both Salvatore Ferragamo’s and Versace’s sales going to benefit Operation Smile.

City of Hope X Just Drew

On May 8th, the Plaza Hotel became the spot for a truly spectacular pairing – Sponsored by Aston Martin and Lancôme A Charity Fundraiser Luncheon/Fashion Show came to the city with the Cancer Research Organization “City of Hope” and a Fashion Show brought to you by one of the hottest up and coming women’s clothing designers, Andrew Warren of “Just Drew.”

Conducted by City of Hope East End Chapter in coordination with Jeanne Kaye League held its annual Spirit of Life luncheon and fashion show. Attended by nearly 500 guests the event assisted in raising vital funds for City of Hope’s cancer research, treatment and education programs.

Sophie Bickley (Left), Andrew Warren (Center), and Charlotte Bickley (Right)

The Incredibly talented personal style bloggers Sophie & Charlotte Bickley of Ying 2 My Yang covered the Fashion portion of the event which included an award ceremony for Andrew Warren, along with Danielle Bernstein, Founder of We Wore What who jointly received the Champion of Hope Award this year presented by Claudia Oshry of Girl With No Job.

Mr. Warren went to great lengths to help raise maximum awarness for City of Hope this year through bringing together the next generation of social influencers to donate their time and walk in the Just Drew Fashion Show, the outfits of which were sold with proceeds going to the City of Hope foundation.

Andrew Warren & Tiffany Trump

Andrew Warren is a visionary who externalizes every stunning piece of the Just Drew line to transform any woman into an “IT girl”.  From a young age growing up in New York, Andrew has always had an innate talent for fashion, as he was greatly influenced by his family’s legacy.  When he began down the road of fashion, he already possessed keen insight on what women want, stemming from various events he styled and dressed his friends and celebrities for.  With his uncanny ingenuity and extraordinary creativity, Andrew leads Just Drew towards the path of success as he continues onward developing innovative collections emanating from a vigorous and inventive perspective.  Check out our interview below as we discuss Fashion & Philanthropy with Andrew.

Sophie & Charlotte Bickley: Tell us more about your relationship with “City of Hope,” how did you first get involved with the organization?

Andrew Warren: “Lisa Kaye Fuld, the East End Chapter President reached out to me and explained that The City of Hope wanted to bring awareness about the importance of not only their organization, but being philanthropic in general to our generation. My grandfather passed away due to colon cancer before I ever had the chance to meet him, I learned at a very young age what it meant to be affected by cancer. The City of Hope is a massive organization that helps families and their loved ones treat, cope and learn about the disease they or their loved ones are fighting. When Lisa approached me about being a part of this event I instantly knew I had to be.”

S&C B: What was the inspiration for the revamped Just Drew line?

AW: “In the past I have been criticized for only dressing one type of girl. I wanted this show prove that my brand is for all types of girls no matter their style. My goal is to have a line that is for everyone, that all girls can feel confident in. My Spring collection is full of looks that just about any girl can pull off, the short slip dress has proven to be one of the most versatile pieces, even though it is also one of the simplest. I have seen girls dress it up with heels and wear it to dinner or dress it down with sneakers and a bomber to shop around SoHo in. The possibilities are endless, the piece doesn’t limit itself to one ‘type’ of girl.”

S&C B: Where can we shop the Just Drew line?

AW: “Right now you can shop online at justdrewnyc.com, Kyle By Alene Too, and a few specialty stores will be carrying my line as well.”

S&C B: What is your creative process like when developing a new line?

AW: “When I am designing a new line, I like to first go down to the garmet district and look at fabrics. For me it’s all about the vision, and in order to bring a vision into reality fabric is the first step. After I have my fabric picked out I pull inspo from all over, make some sketch’s, narrow down the fabrics and then put the pieces into production. Since JustDrew manufactures all of our clothing right here in NYC, I am able to see each piece go through production and I often make last minute changes during the final steps.”

S&C B: What are some of your favorite things about working with City of Hope?

AW: “I love doing charity work. I did something extremely similar to this luncheon for the Gabrielles Angel Foundation when I was only 14. Giving back has always been something I am passionate about doing, especially because of my grandfather. Over the years I have met some of my very closest friends through charity events and organizations. I loved working with the City of Hope, especially because as I mentioned earlier the causes they support hit close to home and being able to help such a great charity raise money and awareness.”

S&C B: What is one thing you would like everyone to know the Just Drew line for?

AW: “I want to my line to be unique while still being completely wearable. Philip Plein is a designer who went against the fashion world and he’s really successful now, He’s someone who really inspires me. I want my designs to resemble pure glamour while exuding confidence but maintain their “wear-ability”. I want my line to be a household name within 5 years, starting a clothing line is a lot more work than most people realize. These past years have been full of ups and downs each teaching me a new lesson; at the end of the day I want Just Drew to be a line, within which, each and every girl can find a piece she truly resonates with and feels absolutely perfect in.” 

S&C B: Where can we follow you?

AW: @adwarren on instagram or @justdrewnyc – “Do it! This summer will be full of surprises, follow us to stay in the loop!”

Below check out our interviews with some of the talented models of the JustDrew show such as Vale Genta, Reya Benitez, Corinne Foxx, and Sophie Simmons.

Vale Genta is an Actress and Social Media Influencer best known for her content shared through her multiple social media platforms and her recent crossover into mainstream acting.

Sophie & Charlotte Bickley: Tell us about some of your favorite things about Just Drew’s revamped line?

Vale Genta: “I love the colors; light pinks, whites, and pastels. They are super cute and fun for the season.”

Sophie & Charlotte Bickley: Do you have any favorite pieces from the show?

Vale Genta: “I am in love with the dress that I am wearing today, the pink ‘Gigi’ dress. I think it is my favorite dress from the collection. I love the cut and color of it”

Reya Benitez is daughter of the Studio 54 resident DJ Jellybean Benitez.  She is a model & social media influencer, and also works for a wealth management firm.

Sophie & Charlotte Bickley: Tell us about some of your favorite things about Just Drew’s revamped line?

Reya Benitez: “I love the butterfly print dresses which are applicable to all different body types because of their cut and the way Andrew has carefully designed them. They are gorgeous”

Sophie & Charlotte Bickley: Do you have any favorite pieces from the show?

Reya Benitez: “I am in love with the long velvet dress from the newly re-vamped line, called the ‘Peasant’ dress.”

Corinne Foxx is a Model, Actress, Writer, and Social Activist.  Having modeled for major brands such as Ralph Lauren, Dolce & Gabbana and Wet N’ Wild; Corinne is also a gifted writer who’s work has been featured on lifestyle website, Refinery 29.

Sophie & Charlotte Bickley: Tell us about some of your favorite things about Just Drew’s revamped line?

Corinne Foxx: “I love how versatile the pieces are. I love that they are comfortable but also extremely chic. I like how the pieces aren’t too intimidating or ‘too much’ like some high fashion pieces can be. They are realistic and I can picture myself wearing them every day.”

Sophie & Charlotte Bickley: Do you have any favorite pieces from the show?

Corinne Foxx: “My favorite piece from the collection is the ‘Butterfly’ gown, I love how long and flowy it is.”

Sophie Simmons is daughter of Gene Simmons and Shannon Tweed, having taken a multifaceted approach to entertainment outside of her rock and roll roots through Music, TV, Film, and Outreach, establishing herself as an artist, actress, model, host, and activist.

Sophie & Charlotte Bickley: Tell us about some of your favorite things about Just Drew’s revamped line?

Sophie Simmons: “I love how Andrew has brought back the vintage aesthetic look, creating a sort of ‘nightgown’ chic vibe. I love how classic all of the looks are, with timeless cuts.”

Sophie & Charlotte Bickley: Do you have any favorite pieces from the show?

Sophie Simmons: “My favorite pieces from the collection are definitely the classic slip dresses, especially the pale pink slip dress that I am wearing in today’s show.”

Ocean Conservation: Kenyan Company Turns Flip Flops into Artwork

With ocean pollution continuing to threaten the survival and overall health of marine life worldwide; a new organization emerges to turn flip flops (one of the most common forms of ocean pollution) into magnificent colorful pieces of art and assist in developing trade in the African nation of Kenya.

Although the Watamu shores of Kenya should be pristine, they are currently anything but.  As flip flops made from synthetic materials have become the most common shoe of the underprivileged, they have in-turn also become one of the world’s oceans biggest polluters.  With eight million tons of plastic entering our oceans each year, estimates advise that if we do not change, there will be more plastic in the oceans than fish by 2050.

Erin Smith at Ocean Sole AKA the Flip Flop Recycling Company, a social enterprise based in Nariobi, Kenya has been working  to change this unfortunate reality for over two decades, by recycling washed up flip flops from the Indian Ocean and turning them into inherently unique pieces of colorful art.  To increase awareness of the international problem, Ocean Sole aims to recycle over 400,000 flip flops every year by converting them to extremely creative Kenyan style works of art.

Ocean Sole’s creative team continues to use their imagination in branching out into new products that even include furniture & sculptures.  The majority of art-work features elephants, lions, gorillas and many other threatened species from all across the globe.  Ocean Sole’s most significant creations are appropriately dubbed “Grand Masterpieces” these works are significant in more than one way with some examples exceeding 18 feet, like their nearly life-size sculpture of a Giraffe and even giant chess pieces for eco-savvy resorts around the world.

A significant portion of Ocean Soles proceeds are transferred back to their foundation to continue research & education to assist in revenging ocean pollution.  As Ocean Sole continues to clean up the beaches across Kenya, the country also benefits from increased tourism from there clean beaches resulting in overall economic growth.  Ocean Sole is continuing to discuss opening similar projects through-out the world.

For more information please visit:  www.ocean-sole.com