Top Luxury Cars to Drive in 2020

When it comes to high-end middle range luxury cars, there is quite an extensive list for automobile enthusiasts to choose from. These cars have everything from advanced technological features and precision engineering to luxury interiors and stunning bodywork. When you drive a luxury car in 2020, you can look forward to an experience like no other.

Although there are many exotics choices in the sub $100,000 USD range, such as models from automobile giants like Ferrari or Rolls Royce, you may want to consider purchasing a brand new vehicle to avoid the common issues of acquiring some used cars. Buyers should avoid having to call in professionals like those at Tariolaw.com as a result of an accident in an unsafe vehicle. So, always purchase your used luxury vehicle from a reputable or a reliable dealer. Or better yet, consider a brand new car.

Some Top Luxury Cars You Can Consider

Below we’ve taken a moment to assemble a list of some of our favorite affordable choices to consider in 2020. From the stunning Mercedes Benz S Class to the powerful Tesla Model S, this list has something for everyone.

Mercedes Benz S Class

With its superb functionality and sleek design language, the Mercedes Benz S Class is a great choice for those who seek a combination of uncompromising luxury and extraordinary performance. The vehicle boasts advanced hybrid electric power train technology options, a wonderfully spacious interior, and constitutes an array of integrated technology so you can look forward to advanced features galore. The 2020 S Class has a base price of $95,245.

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Tesla Model S

Elon Musk’s Tesla has become a popular choice for those who desire embracing unique functions and technology. The Tesla Model S is luxurious, spacious, and functional, as it is one of the longest-range electric cars currently on the market. And, as to be expected, you can look forward to a wonderfully quiet drive when you get behind the wheel of one of these vehicles. It is a great choice for those that want to benefit from luxury combined with cost-efficiency. Base pricing for the 2020 Model S begins at $81,190.

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Audi A8

Packed with advanced features and modern tech, the Audi A8 is a luxury vehicle that ticks all the boxes. Once activated, it will provide excellent capabilities for autonomous motoring. You can choose from a range of engines that are turbocharged, including petrol and diesel. You can sit back and relax in the comfortable yet luxurious interior and, when you are behind the wheel, you can enjoy a smooth driving experience. The 2020 Audi A8 is available from a starting price of $84,795.

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BMW X7

BMW is a big name in the luxury vehicle market. A great addition to the luxury SUV market, the BMW X7 integrates with a variety of benefits and features that make it a great choice. Many of the features are geared toward entertainment, information, and convenience. While it may not be quite as luxurious as some of the other models, it is a very functional and practical vehicle that offers powerful performance and comfort. With a base price of $74,895, the 2020 BMW X7 is the most affordable vehicle on this list.

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A Unique Driving Experience

No matter which of these luxury vehicles you decide to pursue in the end, you can look forward to a fabulous motoring experience. You can also enjoy the chance to enjoy both leisure and luxury when you are behind the wheel, as well as a vehicle that will look incredibly impressive while on the road or simply parked in your driveway!

Featured Image Courtesy of: Mercedes Benz

Intimate Yet Extravagant Wedding Ideas for 2020

Weddings are personal, that’s why there’s neither a formula for a perfect wedding nor a wedding that fits all. There will always be something different at every wedding, be it the flowers, styling, catering, dress or venue. On top of that, wedding trends change frequently along with changes in people’s tastes and wishes on how they’ll be spending their wedding budget.

Here are some of the simple, yet elegant wedding ideas that soon-to-be-wedded couples can take inspiration from.

Intimate and relaxed weddings

Intimate and relaxed weddings are on top of the trend list this year. In the past, couples may have felt pressured to invite everyone in their lives. Fortunately, this is no longer the trend. Celebrity couples Joe Jonas and Sophie Turner, Justin Bieber and Hailey Baldwin, and Karl Glusman and Zoë Kravitz all got married in small, private and intimate ceremonies. Though these couples had a bigger wedding later, the point is, smaller, more intimate weddings are now becoming a trend as of late. 

With these smaller and cozier weddings, you will not only have a meaningful celebration but you can also improve the quality of food, giveaways, and other wedding essentials. You can spend your budget more lavishly if you have a smaller group of guests. If you desire a more refined event, you can easily do so with under 40 people on your wedding guest list. You can personalize favors or set up a private wine tasting event on your big day. Your guests will surely remember the experience.

Simple and practical wedding dresses

According to Vogue, this year, wedding dresses with hidden pockets will be one of the hottest bridal trends. The reason behind this is its practicality. You can store your lipstick, speech notes, mobile phone, or a sneaky tissue in your wedding dress pocket. The popularity of this type of wedding dress is unbelievable as it yielded an online search increase of 83% during the first part of the year.

Aside from the wedding dress with pockets style, another tasteful bridal trend this year is the unfussy and simple wedding bridal gown of Meghan Markle. Her wedding dress was designed by Clare Waight Keller and it’s the epitome of modern, elegant, and chic. The incredibly lengthy veil will never fail to make any bride proud to wear it. The so-called Meghan Markle effect has been dominating the fashion industry since last year and her wedding dress sealed the deal.

Going big in extravagance

Trimming your guest list down to 40 guests doesn’t mean you also need to cut on the event’s opulence. One of the wedding trends this year is going all-out on everything wedding related.

On top of the list are weddings held on cruise ships, large boats, or private yachts. Also included on the list are oversized wedding decor and giant statements. You can just imagine how amazing it would be for your guests to be welcomed into the reception venue with fireworks and smoke flares. Your guests will also be left in awe when they see oversized centerpieces and huge balloons as they walk inside the room.

Give your wedding that personal touch to make it your own. You can go from giant lights to floral arches and giant balloons. If you want to make your yacht party even more spectacular, you can set-up dry ice and a giant disco ball in the reception area. You and your guests can party the night away in style.

Make your wedding an event to remember today

Planning your wedding demands time and an immense amount of effort. Though weddings should be exciting and worthy to look forward to, what happens between the engagement day and the actual day of the wedding might take its toll on you. When this happens, you should take a step back and imagine how you want the biggest day of your life to pan out. Visualizing the end result can help you make the best decision.

Make a checklist, ask your family and friends for help, and work with reliable and trusted wedding suppliers. All of these can lighten your load and help you plan your wedding day in splendor. For your catering, design, styling and music needs, you can tap local suppliers and professionals. And for your waterfront venue and wedding boat concerns, you can always seek help from event organizers such as landmarkeventco.com.

Good luck and best wishes!

Image Credit: UnSplash.com

What to Look for in a Luxury Private Mooring Service

For people who are new to sailing, there’s a lot to learn. For example, when you sail into new waters on a luxury yacht, you cannot dock anywhere you like — especially in big cities like Seattle. Unlike a sports car that you can park almost anywhere, finding a suitable marina to fit your yacht isn’t as easy as finding a car park.

Theoretically, boats are allowed to moor along towpaths, but it depends on the size of the ship. For instance, superyachts need special accommodations and mooring requirements that require a private facility.

According to Emerald Landing, there are several things you need to consider when looking for a  private mooring service for your superyacht. Here are the top 6 you need to be on the lookout for:

1. Tide and current. Both the tide and current can endanger the ship while maneuvering toward the slip or while moored. The harbor tides could be huge (referring to the gravitational effects of the ocean) and residual (which is computed as the difference between the water level at the harbor and the astronomical tide).

2. Capacity. Another thing to look for is the capability of the facility to accommodate the size of the vessel. Most yachts range from 40 feet (any ship smaller than that is usually called a cabin cruiser) to 100 feet. Superyachts can be as long as 500 feet in length, although the average is around 150 feet or so.

3. Security. The private mooring facility should be secured 24/7 to ensure that your belongings and state-of-the-art equipment inside the vessel are safe. Knowing your things are secure will allow you to enjoy your stay in a luxurious hotel or villa while your yacht is being serviced. Among the typical solutions are a no-climb fence, controlled gate access, CCTVs, and private security. The security camera can be integrated with your yacht’s onboard security system.

4. Private. For some people, their privacy is sacred. If you want to arrive in a city incognito, you will need to look for off-street parking for you and your staff. You will also need private access directly to your yacht, so that you can go in and out anytime you like without being seen.

5. Electric power. While moored, you can recharge your batteries at the electrical power outlets at the dock. Each vessel requires different capacities, so you want to make sure yours are included. You want a 60 Hz 480 volt 3-phase outlet with different connections ranging from 100 up to 400 amps. However, some vessels require single-phase power at 120 or 240 volts at 30 and 50 amps.

6. Maintenance crew. A full-service private berthing facility would not be complete without a maintenance staff to look over every inch of your vessel. When you sail, you do not usually bring in your own pit crew; you outsource the job when you are moored on a trip. It is simply more convenient that way.

Whether you are in town for a visit or you need to have your ship maintained and repaired in preparation for your next destination, you will benefit from docking in a private facility.  You can sail in and out without anyone noticing you, which is fantastic if you want to preserve your anonymity.

Image Credit: UnSplash.com

2020 Luxury Electric Cars: Reduce Your Carbon Footprint In Style

It has become clear during this new decade that protecting the environment is a responsibility that is shared by everyone. As the push towards reducing our need to consume fossil fuels expands, the rise of many alternative sources of energy has taken over many parts of the economy.

Innovative companies like Tesla have been on the frontier of hybrid and electrically powered vehicles for over a decade. Although the aim is to create affordable electric vehicles for the common man, Tesla and other luxury car manufacturers are in a tight race to match eco-friendliness with style and class.

Reducing your carbon footprint is now possible while maintaining an elite status. Combining powerful and elegant machinery using the most eco-friendly manufacturing methods has never been a hotter trend. You can get freedom from the gas pump, qualify for environmental discounts from Allstate car insurance and still drive a stunning vehicle that is in the class that you deserve.

The top luxury electric cars for 2020 are imagined by teams of engineers dedicated to the classic looks and quality that their companies have always been known for as they help buyers drive in elegance through the 21st century.

Tesla Model X

The Model X debuted in 2016 and has undergone a number of updates as it is redesigned each and every year. As a midsize crossover vehicle, it provides eco-conscious drivers a zero-emission drive that is at the height of technological advances.

With the ability to deliver the electric equivalent of 90 MPG in the city and 89 MPG on the highway, the Tesla Model X can run longer than its competitors with an extended range between charging. With innovative features including all-electric door entry, extensive onboard safety features and a sleek look, you will feel like you are driving towards the future.

Porsche Taycan

The Porsche Taycan does not disappoint those that are looking to embrace the power and style of the brand while keeping the environment in mind. The Taycan is a stunning sedan that utilizes two unique electric motors for the best in handling and power.

The interior is designed with the classic style of Porsche using only the best and most luxurious fabrics and accessories. This all-wheel-drive electric vehicle with the ability to convert to rear-axle steering will give you 68 MPG in the city and 71 MPG when you let it loose on the highway.

Jaguar I-PACE

The EPA has estimated that “the Jaguar I-PACE can travel up to 234 miles on one charge.” This incredible distance that could cover the span between New York and D.C. is a true game-changer for drivers looking for an electric hybrid that packs a punch.

Using an advanced set of rechargeable motors, the I-PACE is the epitome of the style and grace that Jaguar has always been known for. The I-PACE delivers all-wheel-drive navigation, advanced safety technology and over 80 MPG on both city roads and the highway.

BMW i8

BMW continues to deliver the height of sophistication in both the Coupe and Roadster models of their innovative i-8 design. Both stylish and practical models boast an impressive 369 horsepower all-electric engine that gives it a jump on the competition. With luxurious interiors, onboard navigation and technology that rivals the best in the industry, the BMW i8 is a classic ride that will not disappoint. It is the path of the elite that the masses will follow in fashion and trends. Comfort yourself in style and luxury while reducing your carbon footprint with one of these extravagant, yet environmentally responsible vehicles of the future.

Feature Image Credit: Pixabay

Meet Molly McCall

Meet American Artist Molly McCall whose talent for creating works revolving around the passage of time delivers photographic and mixed media compositions that are not only entirely unique, but also nostalgic for many. McCall’s work, which is memory based, is focused on the beauty of California’s central coast, where McCall was born, raised, and where she continues to live today with her husband Gordon and their two German Shorthaired Pointers.

Although deeply immersed in the art world today, McCall began her career in the world of fashion with her own private label which featured in stores like Nordstrom and Henry Bendel. Having exhibited at venues such as the Barcelona Foto Biennale and Griffin Museum of Photography, McCall’s coveted work has become a part of some of the world’s most prestigious art collections where it has even been featured in taste-making magazines such as Architectural Digest.

Recently, we were given the exclusive privilege to chat with Molly between her busy schedule which includes running her family’s business, McCall Events. Read on to learn more about McCall’s current body of work, up and coming projects, and how her family influenced her passion for art.

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What are you currently inspired by?

“I have been working with an art mentor, Lon Clark, for several years through the San Francisco Studio School. He is the first teacher I have had who works with both photography and painting—my two subjects—and who was willing to take me in and work with my desire to join the two. Lon first directed me toward abstract expressionism, and I was inspired by the exuberance and energy it conveyed. I immediately was drawn to the concept of “sensate” as well as creating a sensory feeling within my work, which opened up my visual world immensely and made me look at color in a totally new way.”

How did you first become interested in art? Was it an experience in your childhood or did your passion develop later in life?

“I am a fourth-generation artist. My immediate family of seven siblings are all accomplished artists: painters, writers, musicians [and] sculptors. Our early home environment was austere, but we had our creativity to keep us engaged with one another and our surroundings. Without television, we were left on our own to create entertainment and activities as well. Making art was just what my family did as well as play acting and performing for one another.

I was introduced to classical art at a very young age. Frequent trips to Los Angeles and San Francisco always included a museum exhibition or a theatrical performance. I can distinctly remember the French Impressionism show at the De Young Museum when I was about 10 years old. I was in awe of the scale of the work and the visual boldness of the colors, the brushstrokes, and the way the subjects were captured in such a loose form. It made a permanent imprint on me and I was inspired by the way it left a lot up to the imagination.”  

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Have you always been drawn to mixed media?

“Yes. Because I was exposed to so many different types of art mediums, I have always tried to create my own artistic language using multiple layers and materials. My creative career began in textile and clothing design, so I have an affection for the surface of things as well. All of my work is based in photography, but I like to push the boundaries of the medium. I’ve used a variety of materials on my images from spray paint to house paint to collage, ink, pencil, tar, glue, etc. I’ve sanded, torn, and even burned my photographs. Photography to me is still a magical process in which I feel I will never find the end of it. It’s the process and exploration that brings me back again and again.“

Can you walk us through your process for choosing the subjects depicted in your work?

“I have been interested in memory for a very long time. I’ve explored this subject from many perspectives: collective memory, historical memory, personal memory. I continue to be intrigued by its illusive nature and impact on our sense of identity and humanity. I’m very keen on change, the passage of time, loss, and the ephemeral nature of living.

My new work is in response to the environmental changes of our time, the parallels of flux between memory and nature, and explores the transitory state in which we live. The title of the series is The More Things Change, and is comprised of large scale color photographs created by layers of multiple images taken over a lengthy period of time.” 

Is there a particular piece that you believe defines your work best? If so, what piece and why?

“My art took a noticeable turn when I started working with Lon Clark at the San Francisco Studio School. The support of a mentor gave me both an anchor and a sail. I started to take chances and not judge my work so harshly, and I began a dedicated studio practice that shifted my work into a new place.

When I look back at this early work, I see a thread that brought me forward. The work from this time taught me how to listen to my instinct and not question it, and to just keep going. I am not sure I will ever arrive at a definition for my work, because I don’t think I will ever arrive at a definitive point. It just keeps evolving and building on itself.”  

What do you aim to express through your work?

“I am optimistic by nature, so that is always an underlying current in my work. I am also keen on the idea of expressing something visually in a way that makes people think, and leaving just enough unsaid so that they can add their own interpretation. I have always been intrigued by contrast and duality. I like the energy it conducts and the way it can transform an idea with the tension between the two.

My new work explores a sense of change by creating a simultaneous impression of one lengthy moment in time. The lack of detail plays a unique role in my composition and is achieved by various digital techniques with layered images of the same subject taken over a lengthy period of time. This technique conveys not only the passage of time, but the history that I have with these locations in a metaphorical way. Color is captured in a dynamic way to create empathy. Scale speaks to the power of nature and the way it can make one feel small. Also, I hope to convey the state flux that is shared between memory and nature and a sense of calm that can occur within chaos.“

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How do you believe that your locality of choice has influenced you as an artist?

“As a native Californian, I am predisposed to the landscape. I spent the majority of my childhood outside and have been inspired by nature my entire life. Growing up with open space, the ocean and a river close by profoundly shaped my sense of being. I also grew up surrounded by some of the most notable artists and art in the world whose work was also influenced by nature and the power of its beauty. Western artist Jack Swanson was a frequent guest in our home and close personal friend of my parents. Photographers like Ansel Adams and Edward Weston were people living in my town, and they moved around the community just like any other citizen. The artwork of California landscape painters like Maurice Braun, E. Charlton Fortune, August Gay, and contemporary artists like Wayne Thiebaud, Richard Diebenkorn. and Russell Chatham, was and still is frequently on exhibit in our community. And of equal importance were movies, the Western film genre in particular. The cinematic expanse of the landscape still captivates me to this day. My favorite Western of all time is The Big Country, filmed in Northern California. It is still studied today as one of the all-time best films for cinematic artistry and capturing the freedom of the West.”

Are there any artists in particular that you believe have influenced your work?

“I love photography and collect it as well, but I am influenced by other forms of art, mostly painting. Abstract painters like Swiss artist Uwe Wittwer, Scottish artist Pete Doig, and British artist Laura Landcaster, all of whom work from photography, and abstract expressionists like Joan Mitchell, and Helen Frankenthaler, whose work I often look to for color inspiration.”

Take us through a day in the life of Molly McCall.

“I divide my day into part work in my office with my family business and the rest of the day either in my studio or in the field. The early morning and late afternoon are optimal hours for my creativity, but I have also been known to duck into my darkroom and not return for eight or nine hours.

On a perfect day, I get an early start on a hike with my dogs at a nearby regional park, a former cattle ranch, which involves hours of soaking in the landscape and patiently waiting for a feeling to take over, the clouds to gather, the grass to blow, or the water to stand still: something that visually creates a mood. Sometimes I don’t even take a camera but bring a sketchbook. The process of drawing helps me record a different kind of response that inevitably shows up in my photography.”  

You’re currently working on a large body of work for the Quail Lodge Resort. How did this project challenge your creative process?

“I did a lot of traveling last year and decided at the end of the year that I would focus my next project on my own backyard. As memory is my main topic of interest, I thought I would explore the landscape within my own memory. Having lived in the same town almost my entire life, I am constantly confronted by the past and the passage of time, and I am keenly aware of how it has formed my artistic sensibility. This new work explores locations that I frequented as a child and attempts to capture the transitory state of the present.

The challenges to this new work were mostly internal, with movement playing a key role in conveying a sense of change and the passage of time. Part of my creative process involves the act of motion, and I wanted to embed that in the work as well. Hiking, swimming, and riding a motorcycle are all activities that unlock creative thoughts for me. There’s something about physically changing the speed at which one moves through space and time that disengages hesitation and self-judgment, somehow unlocking that first thought, that uninhibited moment before you start piling on all of the debris that pollutes it.”

Where to next?

“I have three solo shows coming up this year.

The first was to be at Quail Lodge Resort in Carmel, California, and was postponed due to the coronavirus pandemic. I will be rescheduling this show hopefully this summer. This exhibition will be of my recent landscape work titled ‘The More Things Change’ as well as a new group of cameraless lumen prints made with only photographic paper, the sun, plants from my garden, and darkroom chemistry.

The second solo show will be on exhibition this summer at the Griffin Museum of Photography in Winchester, Massachusetts, a small town about 20 minutes north of Boston. I won the honor of this exhibition last year and have been awarded a room in the museum to display my work. I will be displaying darkroom images inspired by a poem written by Irish poet WB Yeats called Into the Twilight. My exhibition is titled ‘Remembering the Twilight’.

My year will close with an October exhibition in Barcelona, Spain at the FotoNostrum Gallery. My work is included in part of the Foto Biennale, a group show of photographic artists from all over the world, as well as a solo show of my landscape work ‘The More Things Change’.“

Where can we follow you?

“I post new work, artistic inspiration, and studio projects along with images of my beloved dogs on Instagram and Facebook.“

Images courtesy of Molly McCall

The Legendary 105 Meter Lady Moura Now Available For Sale For The First Time

An Icon, a Legend, the 105 meter (344 ft) Blohm & Voss Lady Moura is many things. She is grand, she is imposing, she is the definition of a floating villa, but most of all she is arguably the best cared for yacht in the world.

The story of Lady Moura begins in the 1980s when a successful businessman decided that he would like to build a refuge for his family. Although Lady Moura was the ninth largest yacht at the time of her launch, few if any yachts comparable to her existed. As such, the Lady Moura along with Nabila (now Kingdom 5kr) and Corintha VI inspired many of the yachts we see today. At nearly 6,500 tonnes, Lady Moura’s volume is immense offering over 2,600 square meters (27,000+ sqft) of private chambers for guests and owner alike. Within, amenities that put most yachts to shame and a superfluous interior by the Italian-born Luigi Sturchio.

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Now available for sale with Camper & Nicholsons by the original owner for the first time, Lady Moura represents the most impressive offering of any yacht currently available on the brokerage market. Maintained to the highest standards by her crew headed by Captain Matthias Bosse, Lady Moura served solely as a family residence, never being used for charter.

Stepping aboard the Lady Moura is an experience in and of itself. The yacht’s general arrangement is laid out in an impressive fashion; when boarding aft via a staircase from the lower deck you are ushered to an intimate outdoor sitting area, and when moving forward into the vessel you are instantly greeted by an impressive space, the main saloon. Serving as the principal formal reception room, the main saloon is vast with several separate sitting areas highly decorated with dark wood paneling and elegant marble details. The space is inherently Italian in design, yet boasting elegant, muted arabesque details. The main saloon is fitted with an elegant piano and original furnishings, something of a theme that is found throughout Lady Moura.

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Moving forward on the main deck past the main saloon is a dark wood paneled walkway with simple, yet supremely elegant arabesque details on the wood and gold railings and light fixtures. The walkway leads to the yacht’s main deck lobby, which features an impressive staircase crafted of light toned wood stretching 5 levels from the lower deck to the top deck. For those that would like to save energy for swimming, there is a nearby elevator. Continuing forward past the lobby is a vestibule which offers direct access to a grand wood paneled dining room for 24 complete with Egyptian murals, a spacious office, and a wing containing four guest staterooms and one full beam VIP stateroom. The VIP Stateroom is a particular highlight as its ample size allows for two sitting areas, a dining area, office area, and a generously portioned walk-in closet and bathroom.

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Located adjacent to the central stairwell on the lower deck is Lady Moura’s main reception lobby with sitting area and direct access to tender transport. Aft of this area is the yacht’s beach club with amenities that include a bar, sitting room and dining area. The décor of the beach club is supremely casual, yet entirely chic; although the décor is now 30 years old, it is perfectly modern and fresh. Specific highlights of this full beam beach club are the fold down platforms located at each side of the space. The swim platforms are expansive in size and space, perfectly suited for al fresco dining; and due to their high positioning, they resist small waves and swells, that would otherwise soak your feet. The swim platforms contain stairs and diving boards for easy access to the sea.

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Last, but certainly not least, is Lady Moura’s cinema located aft of the beach club. Here guests can recline in a glamorous space furnished with small sofas, a hallmark of Luigi Sturchio’s onboard cinemas. Most impressive of all is the fact that the cinema can be converted to a disco complete with a dance floor.

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Situated above Lady Moura’s main deck is a level devoted entirely to private family staterooms. Forward of the lobby is a wing of six spacious staterooms, all featuring expansive closets and private marble en suites. Aft of the lobby is the massive owner’s stateroom complete with two bedrooms, two large walk-in wardrobes, two plush marble bathrooms, a spacious office, as well as a private terrace aft.

Lady Moura’s bridge deck offers a combination of ample family and technical space. A pilot house along with accommodation for the first officer, chief engineer and captain occupy a third of this deck. Located off of the grand staircase’s lobby forward is a children’s playroom and a large office with a sitting area. Aft of the lobby is an impressive lounge where the owner and his family spent a great deal of their time on-board. Here in the family room there are abundant sitting areas, bookcases, and a dining area. Aft of the family room is a well-proportioned outdoor area with access to the wraparound deck.

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A true highlight of the Lady Moura is her top deck, here aft of the lobby is a very large helipad, whereas forward is an in-door swimming pool. A retractable ceiling allows for guests to enjoy the beauty of open air while also enjoying the comforts an indoor pool has to offer. The top deck boasts a large spa and gym as well as a forward terrace for sunbathing.

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Lady Moura’s crew and technical spaces are vast and provide a commercial level of sensibility often not found on yachts. Two large tender garages enable the possibility of carrying up to four tenders, each of which may exceed 30 feet in length. Separate crew and guest kitchens and laundry rooms are an impressive amenity along with the yacht’s own bakery. With the capability of accommodating up to 72 crew and staff compared to just 26 guests, Lady Moura offers a fantastic crew to guest ratio allowing for the highest levels of service.

Although Lady Moura has not traveled much, clocking just over 10,000 hours in her 30 years, she boasts the capability of traversing over 8,000 nautical miles at 17 knots. Stretching a further two levels beneath the lower deck, Lady Moura is capable of storing provisions for months of non-stop cruising. The vessel’s on-board medical facility coupled alongside her remote monitoring system for real time troubleshooting and support make her the ideal yacht for extended cruising with these highly desirable safety features.

Lady Moura is currently listed for sale with price available upon application. Though the yacht’s value has been estimated to be in the region of 200 million euros.

Images courtesy of: Camper & Nicholsons International

The World of Visual Art with Angelique de Limburg Stirum

Recently, The Extravagant was given the exclusive privilege of interviewing Angelique de Limburg Stirum on her passion for artistic expression through portraiture. The young Belgian artist and former model is currently developing a unique take on modern portraiture.

The daughter of the Count and Countess of Limburg Stirum is proving to be an innovator in a world where capturing human likeness on canvas is becoming increasingly underrated. Read on to see how Angelique’s own artistic ability has been shaped by her family’s many generations of talented collectors and artists.

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Tell us about how you first became interested in art, and what initially attracted you to the human form and visual art in particular? 

“I come from a lineage of artists, so in a way I inherited an interest and an affinity for artistic expression. These interests were further magnified by being surrounded by art. My grandmother, Princesse Hélène d’Orleans, is an amazing painter and also composes classical music. Since I was nine, I roamed around her atelier, which was a sort of magical safe haven, where she taught me how to paint and draw. 

When I was little and first started making art, all I wanted to do was paint portraits. My grandmother refused to teach me portraiture and insisted that I first learn the basics of painting through inanimate objects. Although at the time I remember feeling extremely frustrated, I am now grateful to her because she understood the complexity and skills necessary for capturing the human form in a worthwhile way.

Besides, I realise now that being dyslexic has played a big role in being attracted to [create] visual art. It has always been easier for me to express myself with images than it has been with words. I also have synesthesia which means that I perceive sounds, smells and tastes as inherently coloured.“

In a few words how would you personally describe your work?

“My work is very varied right now. I am trying out many different styles and ways of working. But you can usually recognize my big brushstrokes in all of my paintings. 

My art is mostly figurative and the human form is one of my main interests.

The common thread in my paintings is my unquenched thirst for beauty and harmony.

My creativity is my vital energy. I embody this energy in vibrant colours in order to exist.

My paintings and drawings follow a certain cycle. You can read my energy frequency through my art: It goes from periods of big sobriety and very limited pallets of colours, to periods of explosion and a very vibrant colour palette.“

You’re currently studying at the Royal Academy Antwerp; with that said, what in particular attracted you to the Royal Academy?

“Before going completely [into] the arts I thought it would be useful  to have  a degree in business in order to be able to manage my own career. 

After getting my bachelor in business management, I wanted to know more about the history of art. So I continued studying. But this time, I did it in evening school for two years combining it with my work as an artist in my own atelier during daytime. How I loved to be completely free artistically!

Although, after a while, I felt like I needed some guidance to take my art to the next level. I required some extra technical abilities and knowledge. Going back to school felt like the right thing to do. Finally I was going to study [what] I was born to do: painting.

The academy of Antwerp, is one of the only schools that still offers a kind of academic way of teaching, all the while giving us the freedom to explore. Huge spaces, [massive] windows, inspiring teachers, small groups, [as well as] space and time to discover oneself. The right place for me.“

Describe a day in the life of Angelique de Limburg Stirum.

“I wake up quite early and have a little ritual to start of my day: short meditation, cold shower, healthy breakfast and … off to school.  Most of my days are spent at the academy right now.

At night I work in a bar near the school. It is very pleasant as many students and teachers come and have a drink there. I find it to be a nice way to disconnect from painting. Plus I get to meet and talk to many different people, which is always a source of inspiration and inner richness.“

Do you believe that being based in Antwerp has affected your work? If so, how? 

“Actually it’s not the city but the the academy which has affected my work. It has helped me [to] broaden my horizons and see all the different directions my art is able to go. This is such an exciting time for me. I am constantly being challenged and encouraged to question my own creations. Being surrounded by so many creative people is so stimulating and inspiring!“

Although your career is just beginning, which of your pieces do you believe defines your work best?

“As I said before I work in cycles and different periods, so I can only answer this question to what defines what I make right now. 

And currently I am creating portraits, interior scenes and still lives. The common feature between these different works is the colourful intimacy of everyday life or the soul of the characters I portray.

Take the portrait of my friend Guilia for example. It’s not exact copy, but rather an interpretation of her ‘being’. I capture the moment we shared. It is a glance in the intimacy of a privileged moment of daily life.“

Where to next?

“There are so many different mediums that I would like to explore! Sculpture, ceramics, photography….  Give me more hours in one day, more days in a year ; – )“

Where can we follow you?

“You can follow me on Instagram: angeliquedelimburg“

Image credit: Sarah Kirchner

The Art of Portraiture with Fanny Rush

Portraits created by Fanny Rush are stylistically characteristic of a bygone era. The London based artist, who just built a new home and studio in Battersea after relocating from Chelsea, employs seldom used Old Master techniques in her portraits that immortalize both her subjects and their personalities.

Rush’s prestigious commissions are numerous and include American Ambassador Robert Holmes Tuttle, famed actor Charles Dance OBE, as well as Sir William Castell, Chairman of the Wellcome Institute, to name just a few. Regardless of the fact that Rush has never trained professionally as an artist, it’s an underestimate to call her working anything but fantastic. The artist spent years analyzing the works of old masters, such as Rembrandt, Titian and Velasquez to develop her own style which blends old master discipline with a sensible contemporary touch.

Read on to learn more about the process behind Rush’s portraits as well as her inspirations and the reasoning behind her recent move to Battersea.

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What are you currently inspired by?

“Amongst many others I am inspired by the techniques of the old masters namely Rembrandt, Goya, Titian, and Velasquez.  I am also inspired by the use of light in the work of painters such as Vilhelm Hammershøi, William Nicolson and Andrew Wyeth, and the design sense of Edward Hopper, Matisse and Degas.

Great photographers inspire me too, such as Cartier Bresson, Cecil Beaton and Irving Penn.

In my work, an amalgamation of these influences comes together with my own painting style. I love strong colours and shapes and I am captivated by the way light behaves.“

Is there a certain place that you trace your love of portraiture to?

“I think I have always been fascinated by faces. My father took me to the big national galleries in London as a child, so at that age I saw some of the best portraits that have ever been painted – I fell in love with portraiture then.

In a successful portrait the whole of the facial muscular structure has to be understood. For example, how the slight lifting of the corners mouth will gently and almost imperceivably push up the muscles under the corners of the eye, making a genuine soft smile. 

As human beings we read true emotion in other faces better than we do anything else, our lives have depended on us interpreting them correctly. Mistaking a smile for a sneer where the eyes are not involved could be fatal.

I keep a constant subliminal communication going with the face as I paint, and this will tell me that it rings true and that the likeness is there – ‘this is this man’s smile’.”

Have you always possessed an affinity for old master techniques?

“It was very natural for me to seek out their methods and strive to emulate them because I love the way they painted.  When I started painting, I read everything they wrote and I visit the same great paintings often, understanding more every time I see them. 

In the old masters I find the richness and luminosity of the colour in the glazing, the variety of skin tones and the portrayal of texture fascinating.  In these works you can often feel that you almost know the person portrayed.

I also love the way these portraits are designed to sit so comfortably in the eye of the beholder. What looks easy and natural is actually very skilled design.“

Currently, what are some exciting projects that are keeping you busy?

“I am just finishing a portrait for New York at the moment, and there are some exciting British and international portraits in the pipeline. I’m really looking forward getting to know my new clients.” 

Why the move from Chelsea to Battersea?

“I rented a beautiful Victorian laboratory which was my studio for many years, it was just a few streets from my home in Chelsea.  I was heartbroken when the land the studio was on was sold to developers.  Studio space in the area just doesn’t exist anymore and there was nothing else for it, I had to leave Chelsea.

 I followed the American Embassy to just over the river Thames to Nine Elms, Battersea and I’m so glad I did.  I bought two adjacent properties, knocked them together and built the perfect home and studio for me. I’m very happy here.”

Where can we follow you?

“My website fannyrush.com is updated regularly and you can follow me on Instagram @fanny_rush“

Images courtesy of Fanny Rush via Damson PR

Sotheby’s NOW! Online Auction To Feature African Art, Photographs, and Contemporary Design

From the 18th to the 26th of February, 2020 Sotheby’s will offer a wide range of stunning lots online as part of their sixth NOW! sale. Made up of 20th century Design Pieces, Contemporary Works, Photographs, as well as African and Oceanic Art Works, the auction is held exclusively online. Estimates for the lots in the sale range from €500 to €50,000.

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Curated by Lolita Cros, the NOW! sale includes pieces by artists and designers, such as Hans Hartung, Robert Indiana, Jean-Pierre Pincemin and César. Other interesting highlights include a Senufo figure from the Ivory Coast, design pieces by Philippe Hiquily and photographs by Peter Lindberg, Richard Prince and Liu Bolin.

Although the New York based, Paris born, Lolita Cros is an independent curator, she was specifically selected for this sale due to her talent for creating unique scenography. Particular highlights of her career include curating all of the spaces at The Wing since 2017, which encompass at The Salon by Marilyn Minter, Jenny Holzer and Senga Nengudi, among others.

Select lots will be on exhibition in Paris on the 21st, 22nd and 24th of February.

Images courtesy of Sotheby’s

Feadship Launches the 99.95 Metre MY Moonrise

At just shy of 100 metres, the Moonrise with her sleek lines and massive 15.5 metre beam stands as a testament to Feadship’s devotion to craftsmanship. Unveiled on the 7th of this month in Makkum, the Netherlands, Moonrise is characterized by her blend of sleek lines and modern sharp profile. Designed by Studio De Voogt, stand out elements include an aluminum ‘superstructure [which] is entirely clad in glass’ and a contrasting silver colored steel hull paired with elongated windows.

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Substantial in presence, Moonrise’s impressive volume provides ample interior living spaces capable of accommodating sixteen persons in eight luxurious staterooms. The sophisticated modern, yet minimalist interior design by Rémi Tessier is described as “instantly welcoming,” and the vessel’s high ceilings make transitions between indoor and outdoor areas perfectly seamless. A stand out amenity is Moonrise’s impressive aft beach club, which includes a gym and wellness center. A highly spec’d crew area accommodates up to 32 crew in spaces flooded with natural light, a rarity in most yachts. Lastly, a helipad situated on the fore-deck makes for the ultimate addition in safety and convenience.

Moonrise is propelled by twin MTU engines that allow for a top speed of just under 20 knots and a cruising speed of 16 knots. Quantum stabilisers make for a smooth ride, though owner and guests will benefit from the yacht’s advanced naval architecture and engineering which ensures an exceptionally quiet cruising experience. Feadship even boasts the fact that Moonrise has exceeded “even Feadship’s legendary standards of noise and vibration attenuation.” This is in part due to the fact that the yacht’s propeller and appendages were designed to reduce noise levels underwater. Ultimately this reduces both the vessel’s interior sound levels and its environmental impact, in addition to increasing the range by reducing fuel consumption.

On the subject of environmental impact, Feadship has taken several key steps with Moonrise that include both the installation of Feadship’s proprietary generator exhaust cleaning system and main engine exhaust gas treatment. Energy aboard Moonrise is conserved through the use of unique technologies, such as the heat recovery system installed on the generators which allows for the jacuzzi’s water to be heated with less electricity than is typically required. Finally, an “ECO-certified system for dynamic positioning facilitates the most energy-saving generator use in this mode.”

Environmentally friendly features, a cutting edge design, and the latest in extended cruising and autonomy contribute to the fact that Moonrise is undeniably one of the most exciting recently launched super-yachts.

Image credit & courtesy: Copyright of Feadship