Revision Rhinoplasty: What You Should Know

Let’s talk revision rhinoplasty – in case you don’t know what this is, it’s basically a medical term that says “fixing a messed up nose job.” With nose jobs being in such high demand, sure enough, some bad ones are bound to happen. For those requesting revision rhinoplasty, or doctors prescribing it to their patients, they are seeking to help:

• A specific problem created by the primary operation
• Persistent issues
• Problems not addressed in the first operation

Sometimes, revision rhinoplasty is done for far more serious issues, as you’ll find later on in this article.

Why People Get Revision Rhinoplasty

All nasal issues – both functional and cosmetic – are best addressed during the initial nose job. However, going for a secondary or follow up surgery becomes inevitable, sometimes.

There may be an unanticipated healing problem. The issue may be due to an incomplete surgical procedure that was not handled properly during the first surgery or the reason may be beyond this information.

As said by Dr. Marcelo Ghersi, a Miami rhinoplasty specialist, many choose a revision nose job because of the less-than-satisfactory results from the first one. Most surgeons who fix these botched nose jobs have all the knowledge, experience and skills needed to treat complex revisions and can address a wide range of patient concerns. The patient’s previous records and photos, medical and operative, may be helpful to focus on the issue at hand.

What Revision Rhinoplasty Addresses

Some of the most common issues addressed during a revision or secondary rhinoplasty include, but not limited to:

• Obstruction in the nasal airway making it difficult to breathe through the nose
• Cartilage collapse or collapse of nasal bones because of a faulty initial nose job or other reasons
• The results are not according to one’s expectations
• The collapse of the internal or external nasal valve
• Asymmetry in the overall appearance
• Not enough cosmetic change
• Scarring on the internal and/or external surface
• Narrowed nasal tip or pinched tip appearance

Around 10 to 15 percent of patients who have undergone initial rhinoplasty may require nasal reshaping surgeries at a later date. A person who had this procedure previously might desire the surgery again because they have had difficulty breathing, or the healing process may have not gone smoothly as expected. The initial surgery may have resulted in an anatomical complication or the patient is simply dissatisfied with the results.

What Does Revision Rhinoplasty Do?

The primary purpose of a nose job revision is to correct one or more of the above issues as previously mentioned. The sooner someone with these issues receives the right direction and treatment, the more effective it can be. However, it is important to remember that the tip of the nose is a combination of soft tissue and cartilage, which will require enough time to heal and change in shape.

Sometimes, it may take several months or even years to see the end results. Today’s technology and techniques used by surgeons can minimize errors to a considerable level and bring in the desired result without complications. The equipment and methods used can lower the chances of side effects or symptoms recurring. Once the issues are addressed appropriately and in a timely manner, the patient can benefit more fully from aftercare.

For some people, secondary or revision rhinoplasty seems miraculous, reducing the issues or permanently eliminating them. This procedure usually has had a major impact on improving their symptoms: overall functioning of the nose and self-confidence. Your treating surgeon will determine what type of surgery is right for your situation, whether you are better off with the closed approach of rhinoplasty or open approach.

In a closed rhinoplasty, minor contour corrections are made. Open rhinoplasty is used where major structural changes are required. Sometimes, cartilage grafts may be needed to accomplish the intended results. The surgeon will help with the right choice in all cases and issues. They may explain why one approach or technique is more suitable for your situation than another. The patient’s individual physiology, level of functioning of the nose, its appearance and how long the issues have been there without treatment or correction, may all be related to what type of rhinoplasty is administered and how much he or she will benefit from it.

Side Effects

Revision rhinoplasty can be effective in treating a wide range of side effects because of improper primary surgery or imbalances. This procedure, as mentioned before, can also prevent recurrence of symptoms or issues in most cases. It can be highly effective for people who have been otherwise depressed or facing mood disorders due to a nose job. When people with such disorders or low self-esteem find the right treatment for their nose, their symptoms will usually disappear or reduce greatly, allowing them to live a productive and enjoyable life.

Most patients with an initial faulty operation can gain considerable relief and cure when they undergo revision rhinoplasty. More and more effective treatment and procedures are being developed in this field all the time. And much research and technology are underway for new and more effective techniques.

5 Spectacular Explorer Yachts Currently For Sale

With a growing popularity due to mankind’s ever increasing desire to reach the most exotic locations on earth. Shipyards have been pushing the limit to create remarkable explorer yachts that are both luxurious and extraordinarily capable. Below we’ve assembled a list of some of the most spectacular explorer yachts currently available for acquisition today.

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Back in the Mediterranean, after a five-month cruise to Antarctica, Planet Nine has redefined luxury exploration cruising.

Launched in May 2018, the 73.2 meter (240ft) Planet Nine anticipated the current fascination with off-the beaten-track, long distance cruising. Built for extreme conditions, her imposing profile by Tim Heywood is reminiscent of a military vessel. The interior layout is functional but as elegant as the exterior is rugged.

With safety and performance as well as comfort in mind, the hull and superstructure were built by the commercial shipyard Cantieri San Marco in La Spezia while The Italian Sea Group completed the build to luxury yacht standards.

Exploration is in Planet Nine’s DNA. She is Lloyd’s Register Ice Class 1D and can deal with sea ice up to 15 centimetres. She is equipped with dynamic positioning and zero speed stabilizers for comfort at anchor. Her commercially approved helideck, with an enclosed, below-deck hangar and refuelling facility, is accessed by a lifting platform for an eight-ton helicopter. The hangar allows Planet Nine to handle two aircraft at the same time.

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The interior was designed by Tino Zervudachi (Mlinaric, Henry and Zervudachi) known for his use of colour and eclectic aesthetic. The yacht is elegant with stylistic flair yet has a cosy quality and does not feel over-designed. The interior and furniture were custom built by German luxury outfitter Fitz Interiors.

The Upper Deck houses the main indoor living area including a stunning Inside-Outside Salon, an Observation Lounge forward and a super-surround cinema with lounge beds. Business requirements have not been overlooked. A large meeting room/library with adjoining lounge is located on the Main Deck and there is a smaller private study on the Upper Deck.

Guest accommodations are spacious and sleep up to sixteen in eight staterooms including the full-beam Owner’s suite, a VIP on the Main Deck and another VIP with a private outside area on the Bridge Deck. An elevator serves all decks.

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The Sundeck with Jacuzzi provides ample space for outside-living and “al fresco” dining. The teak panelled Beach Club is designed for use in hot and cold climates. The spa has a foldable bulwark which, when open, becomes a large sunbathing and lounging area on the sea. The spa is equipped with fitness equipment, a Hamman and a sauna.

Tenders include two high-performance 10m Rupert RIB tenders, one open and one limousine, a 6m Rupert crew boat and a rescue tender as well as personal water craft and an array of other water toys.

“Most owners only use their yachts in summer or warm-water winters. Planet Nine is one of the very few yachts that has been designed for summer and colder winter long-range cruising”, says broker Stuart Larsen, “She is ahead of the curve and exemplifies clients’ growing appetites for new destinations and adventure cruising”.

Planet Nine is currently listed for sale at €85,000,000 by Stuart Larsen. For more information on Planet Nine, please visit the listing on Mr. Larsen’s website.

Image credits: Thierry AMELLER and Emilie MALCORPS

Secondly, we have the 55 meter (180ft) Supernova 55, which is currently under-construction at the Cosmo Explorer Shipyard in Italy/Greece with an estimated launch year of 2020. With an ice class hull and at 890 tons, Supernova is capable of carrying up to 14 guests in six suites to the world’s most remote destinations. Powered by twin MTU 16V 2000M70 engines, the vessel is capable of traveling 5,000 nautical miles without the need to refuel. Additional amenities include an immense amount of outdoor living spaces, a plush master stateroom with private staircase, an expansive main salon, a helipad, a water side beach club, as well as an observation deck with gym and spa.

Supernova 55 is unique in the fact that the future owner will be able to completely customize the interior to his or her own tastes with a short delivery time compared to commissioning a new yacht. For more information please visit IYC. Supernova 55’s price is available upon request.

Image credit: IYC

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At nearly 1,800 tonnes the 68 Meter (223ft) M/Y DAYS offers massive volume and an ICE class hull. The yacht which is currently under-construction in Istanbul, Turkey by the AES shipyard is scheduled for a launch in early 2020.

With amenities that include a touch and go helipad, two nine-meter tenders, the ability to accommodate 12 guests in a full upper deck owner’s apartment, and 5 cabins and stateroom on the main deck, which encompasses 3 VIP staterooms; MY DAYS is sure to impress the most discerning of yachtsmen. The acclaimed Milan based design house Hot Lab is responsible for both DAYS modern exterior and elegant, warm, and chic interior design which allows the view of the sea to take center stage.

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Large full length windows are a hallmark of this yacht’s thoughtful design, which allow for significant amounts of natural light to flood the interior. Additional standout features include a swimming pool on the main deck, massage room, gym, and a sky-lounge boardroom which is directly accessible from a designated tender arrival area. Situated on the lower-deck is the starboard side tender garage, which can be converted to a waterside beach club.

Last, but not least, the shipyard has proposed a potential option where buyers may be able to lengthen the yacht to 72 meters, which would allow for an additional guest cabin. DAYS is currently being marketed at an asking price of €50,000,000. For more information please visit Camper and Nicholsons International.

Image credit: Camper and Nicholsons International

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Our next yacht is the PJ World Explorer, which at 81.4 meter (267ft) is the largest yacht in our list. Under-construction in Norway, this Palmer Johnson explorer yacht can be completed in just 18 to 24 months following contract signature. The PJ World Explorer shares a stunning design language reminiscent of all Palmer Johnsons, yet boasts an Ice Class Hull and impressive 10,500 nautical mile range.

Similar to Supernova 55, this Palmer Johnson is able to conform to a new owner’s wishes in regards to both decor and deck plan alterations. At just under 3,000 gross tons, this yacht is nothing short of traveling a villa with 1,400 square meters (15,000sqft) of interior space. Unique features include a large helipad, outdoor swimming pool, gym/spa, and a 225 square meter (2,400sqft) owners suite with 360 degree views. Based on current deck plans, this yacht can provide accommodations for 14 guests in seven cabins and a crew of 27.

The PJ World is Explorer is currently listed for sale at €19,900,000 as is, or €105,000,000 completed. For more information please visit IYC.

Image credit: IYC

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The soon to be 80 meter (262’4ft) Simon Fraser started life out in British Columbia and served the Canadian Coast Guard for nearly 40 years. Now the explorer vessel is currently being converted into an Ice Class Explorer Yacht by Benetti’s Lusben Yard in Genoa, Italy. The yacht’s general arrangement will provide accommodations for 24 guests in 12 cabins.

Some spectacular highlights of Simon Fraser include a touch and go helipad, a beach club, an 11,000 nautical mile range, and the ability to carry two 15-meter tenders. Simon Fraser is currently listed for sale at €14,900,000 as is, or an estimate of €39,500,000 for the completed vessel. For more information please visit IYC.

Image credit: IYC

The Art of Beya Rebaï

Meet the young and talented Paris-born artist Beya Rebaï, who has a passion for color as she draws narrow and select tone focus pieces. Having studied illustration in Brussels, Belgium for three years, and later attempting her master degree in Paris, Beya’s love for art has only grown stronger as time went on. With an intense drive for creativity, Beya is always seen with a sketchbook and wax pastels in hand during her travels. Not restricting herself with just what she sees with her eyes, Beya draws what she sees in her own unique way by adding an abundance of color.

Take us through a day in the life of Beya Rebaï.

“I recently decided to leave my Masters degree, so now I can take more time doing what I want, especially in the morning. I could say that my day starts around 10am, by going to the gym and then back to work on the computer, responding to all my emails and investing myself in the different projects I am currently working on. These days, I am mostly handling my e-shop, managing the orders that have been placed. So, there is no « typical » day for me, really.”

Tell us about how you first became interested in art, and what initially attracted you to illustration?

“I think it started with my parents, who are big fans of art and made me travel around the world since I was a little girl.  My dad has a travel agency. Each place we would go to, we would visit a lot of museums and it developed something in me. I did not see these visits as obligations; on the contrary, I really loved them. I remember my parents placing me in one room of the museum and telling me “pick a painting, try to reproduce it maybe while we go take a look around”. When they would come back, I realized a lot of people had gathered around me, watching me draw. Reproducing paintings and being so sensitive to colors and art in general led the way for me. The specialty of illustration really came in my prep school, after high school, when I met some people who were passionate about it. They made me realize illustration was the closest technique to drawing. And so I left for three years to Belgium to do a bachelor’s degree in illustration.”

Your work is inherently unique yet reminiscent of several celebrated modern artists such as Hermann-Paul, Maurice Denis, L.S Lowry, yet your bright pastel remind us of a colorful Matisse. With that said, who are some historic or contemporary artists that you look up to for inspiration?

“Matisse is definitely an artist that I always look up to and admire for his unique colors. I [also] feel very close to the Nabi movement (approximately 1888 to 1900), which Maurice Deny was part of. But one of the greatest artists for me is Pierre Bonnard. His light and his color touches are very moving. I tend to incorporate a lot of pink tones in my drawings, something that Matisse and Bonnard used to do, too.”

In a few words how would you describe your work?

“I would say colorful, pink, melancholic, with a touch of loneliness. I am actually thinking about the American painter Edward Hopper: in his canvases, there are colors, people, but they really seem alone. I actually did a presentation about him in high school that really impacted my work now that I think about it.”

Can you walk us through your creative process?

“I can just sit down and draw directly something that inspires me. Or I let my imagination wonder around.”

“But most of the time and when I travel, I take a lot of photographs of the places I visit, of images that “speak” to me. For example, right now, in the very café we are conducting this interview, I would like to take a picture of the two men behind us and re-draw them afterward. The process is the following; I try to do a very thin sketch and then I start putting some color layers. That is the moment when I try to only choose four to five colors for my drawing. At the very end, I scan my work and I sometimes photoshop it to brighten up some tones.”

How has your color range developed over the years?

“I must say it developed very quickly. When I joined my bachelor’s in Belgium, I remember my teachers saying that I was using very strong and uncanny colors for my works. They were not very similar to what I use today, softer smoother colors.”

“Now, I am trying to create a balance between pastel colors and dark greens or vermillion, for example. The various exhibitions that I have the chance to see, but also the photograph magazines that I read can inspire me. The harmony that I decide to create can come from many sources.”

What are some of the most rewarding aspects of using a limited pallet?

“I like to re-invent my own drawings, especially in the subjects of my work. Undoubtedly, there are certain colors that I particularly feel drawn to (like pink, green and blue), but if I decide to re-use them, I have to challenge myself in creating new subjects, new matter. For example, I recently did the portrait of a couple walking and also a robot, but all in the same colors. Also what can be challenging is the combination of new colors. For instance, I absolutely love yellow, but I have not found a way yet to associate it to another color in my creations.”

“And I would say the rewarding aspect of using a limited pallet is that an artist feels more reassured, but also quite simply, enjoys working.”

Is there one drawing that you are particularly close to or proud of?

“I am not especially proud of my drawings. If I were proud, I would probably just stop working! I am at a point where I am experimenting a lot of things, but if I were truly satisfied [with] everything that I did I would not search to diversify myself. But I really admire artists who can keep up their search, and follow the same subject for a long time. I think one my favorite pieces of work is the one from “I mountain” I did a while ago.”

Where to next?

“I have several projects that I would like [to] accomplish this year. But I am currently working on a book, and I have an exhibition coming up in London in October, [at] the Blue Shop Cottage (Brixton). Also, I would like to test a lot of new things like ceramics and textiles. My goal would be to get out of my comfort zone and work with various creators for collaborations; like perfumes, or cars maybe…”

Where can we follow you?

“On instagram: beya.illustration“

“And on my website: www.beyarebai.com“

Seized Super yacht from 1MDB Scandal Sold

The 300-foot yacht known as Equanimity was recently seized from financier Jho Low due to the global investigation occurring into the 1MDB scandal. As a result of the corruption scandal, in which billions of dollars were allegedly embezzled from a Malaysian state fund set up by Prime Minister Najib Razak, the reassessed items have been hard to resell. The most highlighted asset of these however, has been M/Y Equanimity. Jho Low, who is the most profiled figure linked to the scandal had previously owned the yacht, allegedly bought with $250 million dollars worth of stolen funds. Prior attempts to sell the yacht on part of the Malaysian government had first attempted to sell it by auction, but the association to the scandal downplayed the seriousness of the offers being given. In auction, it failed to even reach a price of $139 million.

However, recently the Malaysian government has come across a new buyer, and has agreed to sell it to Genting Malaysia for $126 million dollars, which is less than half the initial cost. Genting Malaysia is a premier leisure and entertainment resort, which has led many to question the buyer’s intentions with the yacht. The yacht luxuriously features a marble and gold leaf interior, a swimming pool, gym, 11 cabins, Turkish bath, cinema, beauty treatment suite, and a helipad!

This yacht is among many different assets that were allegedly spent illicitly with 1MDB funds. With it, includes artwork from Monet and Van Gogh, a rare 22-carat pink diamond necklace, and a see-through piano. Jho Low is a more than generous giver of gifts. It has been reported that Low had given the piano to supermodel Miranda Kerr. As well as a $3.2 million Picasso painting to Leonardo DiCaprio. Both celebrities have handed over their extravagant gifts to the authorities.

Image credit: Sabung.hamster aka Everyone Sinks Starco courtesy of: Wiki License

Talking The Art of Wine With Lawrence Fairchild of Stones Wine

From a young boy raised on a farm in Nebraska to the reputable winery owner in Napa Valley that he is today, Lawrence Fairchild of Stones Wine is a prominent figure in the winemaking industry. Known for his top-class cabernets from both the Stones Wine and Fairchild Wine labels, Mr. Fairchild’s passion for winemaking is characterized by his desire for perfection above all else. We at The Extravagant discuss with Lawrence the profound art of wine.

How did you first become interested in wine and wine-making?

“Having grown up on a farm in rural Nebraska, it would be an understatement to say that my wine passion came from my environment; although my love for terroir and finely produced products did start on the farm. While I was attending the University of Nebraska, “Scotch Club” on Fridays was my entry into tasting – probably the James Bond brand of the moment. I was then fortunate while working on Capitol Hill to have staffer friends that loved the (free) National Symphony performances on the West Lawn of the Capitol Building – which included charcuterie, cheeses, …….and wine.”

What do you personally believe makes a great wine?

“Winemaking at the highest level in the world is an interesting process, as it entails approximately twenty (20) layers of detail over a period of years; a number of which have to be perfect, or as close to perfect as humanly possible. First and foremost is the vineyard location and soil, and applying farming practices that allow the vines to prosper, while at the same time providing a stress level that allows for depth and concentration. Without perfect grapes, there is no perfect wine. We follow through with every detail of winemaking; sitting on the skins for extended periods of time to enhance depth and structure; then finish with the best French oak barrels in the world.”

Where did your passion for French wines begin and how do you believe that passion has influenced Stones Wine?

“When I moved to San Francisco to pursue my professional interests, there was a small, fine wine shop down the street from my office conducting eight-week long wine courses; the first of which focused on Burgundy, followed by Bordeaux. The evening classes featured and discussed the different micro appellations, soil structures, winemaking, and a tasting of 10-15 different wines from multiple producers. Having the opportunity to taste and compare some of the best Burgundy and Bordeaux wines in the world–as it related to the soil and the winemaking style–was as good of an entry as you could get.  It was fascinating, and set my passion for the soil, wine, and the art behind it. Understanding the importance of terroir is what made Stones what is it today.”

Do you believe that your family’s background in agriculture has contributed to your success at Stones Wine. If so, what particular part do you believe it has played in the grand scheme of things?

“I have come full circle with farming and agriculture, although farming vines is slightly more technical and romantic than corn and soybeans. What did come from such a hands-on agricultural environment was understanding the importance of quality farming and seeing that the level of detail from one fence line to the next varied drastically. Farming the Stones vineyards in the Napa Valley is similar, in that the detailed level and attention to the farming and to the grapes determines what goes into the bottle.”

Can you take us through your process for selecting a vineyard? What particular characteristics do you pay most attention to?

“The vineyard characteristics: rocks, gravel, and more rocks. Rocky soils provide perfect drainage, more stress on the vines, layers of minerality – chalk, graphite, lead pencil, sage…all of the flavor profiles that I love in a great wine. The second most important characteristic is exposure – preferably southwest facing allowing for perfect sun and air. I seek out vineyards years in advance; tasting the grapes and walking the land for that perfect moment.”

How would you both compare and differentiate Stones Wine and Fairchild Wine?

“The Fairchild wines were my first two Cabernet Sauvignons beginning in 2005; produced in very small amounts. Stones was created in 2011 and featured my entry into rocky to extremely rocky vineyards. Fairchild and Stones are produced with the same high-quality standards; the difference being the vineyard terroir, all from different locations, with the Stones vineyards displaying more rock and minerality. And of course, the Stones packaging and design. Stones labels, packaging, and presentation were designed to be the most artistic, exquisite and collectible in the world.  Designed at the level of Hermes and Cartier, each bottle resembles art and should feel like a special gift. The Stones labels are hand-made in France, all hand applied. The wood cases made from white French oak sourced from France. Our clients love and appreciate our level of design detail.”

In addition to your passion for wine, you are a very creative individual which reflects both in your personal style as well as the label and packaging of your wines. To where do you trace your passion for design?

“My love for fashion and design dates back to (surprisingly) Nebraska, where I may have been the only university student reading GQ and buying entry level Armani. And today, I may be the only Napa Valley winery owner that wears runway Valentino and Gucci, and is comfortable rocking it. Although I have never studied architecture, I spent years pouring over architecture and design books and magazines; fascinated by the aesthetics of color, fabrics, and interior and exterior design combinations. My current residence feels like a small art gallery; simple, but with great pieces that I love. I have begun collecting large- and medium-scale, original modern art. The pieces provide me with label and design inspiration that I will incorporate into my future special wine projects.”

When you first launched Stones Wine did you intend for the winery to sell its product solely to wine club members?

“Providing our wines only to our private client members is a fortunate result of producing very limited amounts of wine of very high caliber, and not having enough wine to meet the demand. Early on with the Fairchild wines, I did not have that luxury. I want to begin providing our wines to select restaurants throughout the world once we have more wine available; primarily to 3-Star Michelin.”

Your 2013 Stones No 1 was simply a masterpiece. Many other Napa Valley wineries crafted exceptional Cabernets that year; however what do you believe set your vintage apart from other great makers?

“The 100PT 2013 Stones No. 1 was start to finish a magnificent wine. My winemaker friends joke with me that my 98 & 99PT wines must have a flaw! Our Stones No. 3 also received the honor of a perfect 100PT score with the 2016 vintage. For the 2013 vintage, I focused more on blacker fruit and greater extractions for all of my wines, resulting in huge depth on the palate. The 2013 Stones No. 1 achieved that goal.”

We’ve heard that you are going to produce a Chardonnay in the not to distant future; with that said, what characteristics can we expect from your first white wine?

“I had one directive for my winemaker; to create the Chassagne-Montrachet / Pulingy-Montrachet of Napa Valley. The best Chardonnay ever made in California; as Burgundian as possible. We did it.”

Where can we follow you?

“Follow us on our Instagram @Stoneswines, our website Stoneswines.com. Or contact members@stoneswine.com to be added to our waiting list for exclusive releases.”

Images courtesy of: Stones Wine via Quinn PR

Over the Moon with Makenzie Moon Phelan

Makenzie Moon Phelan in the Studio, all images courtesy of the artist, 2019.

The Extravagant discusses art, culture and makeup with Makenzie Moon Phelan, NYC based artist and socialite, and daughter of wickedly fun art world patrons Amy and John Phelan. Drawing from a wide range of cultural references, we dive into her work as a makeup artist and her contemporary art practice:

What drew you to the world of make-up?  What do you feel is the role of the make-up artist and how does your fine art background (i.e. painting) inform your practice?

“Since I was young, I have been interested in both fine art and make-up for cinema or fashion.  Before parties and events, my mom and her friends would have me apply their make-up just at the age of seven, and I realized this is something I really enjoyed creatively. Creating and being around Contemporary Art heavily influences my make-up practice.  From thinking about how palettes and materials work together, to the physical application of pigment is so painterly.”

What inspires you, where do you draw inspiration from?  We noticed Stephen Hawking on your Insta, who inspires you?

“In my opinion, everyone’s view of the world is very different up to the point where my blue could be your green. I think how different people view our world is what has shaped and shifted basic human knowledge and understanding. Whether it be philosophers, artists, scientist, or famous mathematicians; had they not shared their personal world [inside of their head] with the public, our universe would lack so much color and expansiveness.”

“I am really inspired by the artists Will Cotton, Marilyn Minter, Marc Dennis, and Richard Phillips due to their fine craft. Currently I’m hooked on this brilliant Italian artist Paola Pivi. I think the mind and methods behind her works are beautiful.”

“I am also really inspired by trends in decades. I love the 60’s, especially Edie Sedgwick, and I also am fascinated with 18th Century aesthetic. Adding contemporary palettes to an old time period is really fun for me.”

Ornamentation on an anthropological level exists throughout human history, what is the role of make-up in society in your opinion?

“Makeup is a form of self expression. It also allows people the ability to enhance their natural beauty by using different color palettes, glitter, symbols and light diffusion.”

What is your dream commission as a make-up artist?  Is it cinema, is it runway, etc;

“I feel like my work is multi-faceted, so I would be thrilled to work in film or runway, but my dream project would be any form of collaboration or work with Ve Neill [of Beetlejuice and Hunger Game fame] one day. She is an extremely powerful woman in the makeup industry who’s work has influenced me since I was a little kid.”

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What trends do you love in make-up and obversely what do you dislike?  Favourite brands? Favourite makeup artists?

“My favorite trend in makeup is a basic cat eye with a red lip. I usually never leave my house without a cat eye. It’s a classic yet sexy look. I’m also really into the 60’s makeup trends. I think the big brows, dark sculpted eyes and dramatic lashes is a very feminine and playful look. I also love drag makeup. I’ve learned some of the best techniques through the drag community when I was living in London.”

“I’m not a huge fan of the heavy contour look, or any kind of makeup that covers freckles. I think makeup should always enhance one’s natural and inner beauty.”

“My favorite makeup artist in the beauty industry of all time is Charlotte Tilbury, that is a person I would also love to work with. In the special effects realm my favorite artist is Ve Neill. Pertaining to music, it is hard for me to pin down a favorite band, but my favorite musician is Marilyn Manson. I think he is brilliant, and a walking piece of art. There’s so much more to him than what lays on the surface.”

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What is the relationship between art and fashion?

“Both art and fashion are an extension of an individual’s creativity.  Creating or collecting art is an expression of self, just as fashion is.”

When did you become interested in art?

“From a very young age I have been creating art!  I grew up in a household that not only welcomed creativity, but championed it.  I have always been surrounded by incredible works of contemporary art, and I feel very fortunate that in most cases I know or am friends with the artist that has made them.”

Tell us about your own work as an artist? What projects have you taken part of? What’s your favourite media to work in (other than cosmetics)

“I love working with oil on canvas, and have had private instruction by some incredible artists such as Marc Dennis and Will Cotton. When I was younger, the problems I faced growing up (my personal inner turmoil) created a lot of noise in my head, I started writing poetry at a very young age as an outlet, then began illustrating the emotions behind my poetry and it evolved from there.”

How do you navigate between a cultural patron, an artist, and a muse?

“I don’t see these as being separate parts of my personality.  I think they all relate to each other, and I am just thrilled I can be part of a creative community in all of these capacities. People inspire me on a daily basis, and I feel happy I can inspire others as well.”

How does growing up in a family of art collectors impact your own aesthetic preferences?

“Growing up around some of the best examples of contemporary art is an incredible education.  Not only do I get to learn about new artists, but I am able to study the depth behind the individual behind the work, and learn about the material process of an artist. It also really helped me embrace my individuality as a person, leaving me unafraid to push boundaries with the way I dressed, or wore my makeup. Growing up around art the way I did also inspired me to let go of any fear of being experimental.”

Without any limitations tell us five artists or works of art you’d love to see in your dream collection.

1. One [of] Paola Pivi’s colorful feathered (life size) Polar bears and a piece from her “Zebras” series 
2. One of Marilyn Manson’s water color pieces 
3. Anything by Marc Rothko
4. One of Will Cotton’s Cake Sculptures
5. A Donald Judd “Stacks”

Are you affiliated with any institutions, foundations, or organizations?

“I just moved back to New York City, and am exploring new opportunities. As of right now I am affiliated [with] my family’s foundation. The Phelan Family Foundation believes that all people deserve the opportunity to succeed. To accomplish its mission, the Foundation funds a broad range of causes including education, the arts, health care, military personnel, and vulnerable populations. The Foundation seeks to address community needs at all levels—be it access to clean water, safe shelter and nutritious food, or education and training that unleashes the potential for economic prosperity. It also seeks to effect lasting change and measurable outcomes, while maintaining the Phelans’ sense of compassion and gratitude to the world.”

Having lived in many different places: where is home, literally and philosophically?

“I am currently based in New York, which is where I grew up. New York City is home for me.  I’ve spent time living in London and Los Angeles, but I recently moved back to NYC after finishing a program in special effects makeup on the West coast.  I also spend a lot of time in Palm Beach, FL and Aspen, CO with my family.”

What are some of your favourite places to visit in the world, what shouldn’t we miss?  What are some of your favourite art world or cultural events?

“Every summer I look forward to attending the ArtCrush events for the Aspen Art Museum, an event hosted by my amazing Mother, Amy Phelan. My favorite places I’ve traveled to though are Dubai, Chiang Mai, Jaipur, and Kyoto.”

Follow more of Makenzie Moon Phelan’s adventures on Instagram at:
@Moonefx @Kenziemooner

The Benetti Giga Yacht: Chapter 3

With the recent launch of the 108 metre (354ft) project FB275, historic Italian shipyard Benetti has concluded the third and final chapter of giga yacht orders, which consisted of three highly unique hundred plus metre yachts. This yacht also boasts the title of Benetti’s longest yacht to date.

FB275, as the yacht is currently known, is said to include amenities such as, a gym, spa and cinema, as well as over 1,000 square metres of outdoor space spread across five decks. Thanks to the vessels 345,000 litre fuel tanks, she is capable of cruising 6,500 nautical miles at a speed of 14 knots without refueling. The yacht features a steel hull and aluminum superstructure with an impressive displacement of 3,600 tonnes. The exterior of the yacht was designed by British firm RWD.

Over the past four months Benetti has stood out with the launch of the 107 metre FB277 and 104.8 metre FB272, now the FB275 takes center stage completing this epic giga yacht trilogy. Benetti’s three 100+ metre launches is new ground for Italian shipyards who have produced few yachts in the 100 plus metre range in the past.

“The launch of FB275 marks the culmination of the first part of our Benetti Giga Season, yet at the same time, begins a new era of building giants. In the creation of these three sister yachts, we have proven that our huge investments and constant endeavor to progress has, and will, continue to pay off. I am delighted to be able to celebrate with the owners, colleagues and world’s press in this historic moment, and to give thanks to all those who contributed in the gargantuan effort to build these glorious yachts. I also offer the city of Livorno our sincere gratitude in its continuing support of all Benetti’s enterprises”. said Paolo Vitelli, President and Founder of Azimut Benetti Group.

Additional amenities of the FB275 include an observation lounge on the top deck with a circular sitting area featuring panoramic views; on the Bridge Deck, two L shaped sun pads surround a 1.5 metre fire-pit; located on the owners deck is a private living area consisting of a dinning room and seating area; the main deck benefits from the yacht’s 14.5 metre beam allowing for an impressive dinning area, seating area and swimming pool. On the yacht’s lower deck is a gymnasium and spa that benefit from a drop-down balcony that allows the owners and their guests to enjoy impressive sea views. The yacht’s interior was designed by Benetti’s talented in-house team.

FB275 is capable of carrying an astoundingly large collection of toys and tenders. The foredeck is capable of carrying two 14 metre tenders, while a 10 metre tender can be stored on the lower deck with up to 8 maxi jet skis. The yacht features a 1,500 litre refueling station for tenders as well as five cranes and two hydraulic lifts capable of lifting 15 ton tenders.

FB275 is powered by two 2880 kW MTU diesel engines that allow the yacht to achieve a top speed of 18.5 knots. Environmental considerations have also been taken into account thanks to an electric Schottel stern SPJ pump jet, which is said to provide ‘outstanding manoeuvrability’ and the ability to accomplish all electric short distance travel. The yacht’s stabilizer system, which was supplied by Naiad-dynamics, consists of four fins.

Images courtesy of: Benetti

The World’s First Self-Sustainable Light Weight RV

The award-winning Sonic X RV, which is praised for its innovative design, eco-friendly features and high-quality interior, has made its debut on March 12th. KZ Recreational Vehicles (KZ RV), a subsidiary of Thor Industries, envisioned the Sonic X concept as the forerunner of a new generation of cutting-edge RVs.

The integration of designs and technologies in developing the modern RV is what Sonic X is setting a precedent for in the RV-industry. As an ultra modern trailer, with many industry-firsts, the RV is complete with energy and water saving capabilities as well as a reinforced and technological advanced body.

Founded in 1972, KZ Recreational Vehicles is dedicated to the development of new concepts. The Sonic X was explicitly developed with a direction towards the ‘everyday traveller’ in mind. As the industry’s first self-sustainable lightweight RV, the trailer was constructed by skilled craftsmen who employed high quality materials and leading-edge technologies. It was picked to be part of an exclusive Judge Choice showcase, which features the most exceptional RVs that were selected by a panel of well-known industry leaders

“We are committed to protecting the environment so we set out to develop a concept that reflected one of our core brand missions,” said Aram Koltookian, President of KZ RV. “When developing the Sonic X, we wanted to build the ultimate, self-sustainable RV that is both durable on the outside and features a modern interior for today’s lifestyle. The design is made to be mindful of the environment by using lightweight materials and clean, renewable energy sources to operate the RV. I am pleased that five of the seven units KZ is bringing won Judges Choice in 4 different categories”

This environmentally conscious trailer is the result of avant garde technologies. The Sonic X, which is powered only by clean energy, is the first 2-6 foot trailer in the world to be supplied with boundless solar power. Solar Panels, mounted on the trailer’s roof, generating 1,000 watts of power that could be saved on the unit’s nine Lithium-ion batteries. The trailer also includes a Secondary Infinite Water System (S.I.W.S) with a robust pump, a 25-foot hose and water filtration that is able to connect to fresh water sources and reserve 100 gallons of water.

The Sonic X is fitted with deep-tinted frameless windows to offer those inside an ultraviolet (UV) barrier from the exterior to the interior. In addition, Chroma coated roller shades were added to lessen heat penetration through windows, interior and exterior LED lighting was set up and 2-900 CGMS power fans and 2-2-# LP tanks with auto-changeover was included.

“We are thrilled with how this prototype turned out and are incredibly excited to see how Sonic X will be received by our dealers and retail customers” said Bob Martin, CEO of THOR Industries. “As the global RV leader, THOR has a responsibility to push the industry forward and this concept from KZ is a perfect example of the value we put on inventive projects to fulfill that duty.”

A durabile and lightweightness that is typically found only on the fastest and most sporty supercars is also found on the Sonic X RV thanks to its carbon fibre body. The light weight carbon fibre body provides superior adaptability in order to smoothly navigate through the busy city streets or the rough terrain of the great outdoors. The frame of the trailer was built utilizing a process known as ‘HUCK bolting’ (a method that is five folds stronger than welding) to bolster Sonic X’s durability.

Exterior features of the Sonic X include torsion axles with 30-inch off-road tires, Rock Buster Skid Plate, Aluminum Step Above System, lighted power tongue jack, kayak rack (Designed for the Sonic X RV), an integrated bike rack that can carry up to 4 bikes, 30-amp detachable marine-grade power cord with light, four roof-mounted high definition LED light bars, exclusive LevelMate Pro leveling system with four high speed power stabilizer jacks, triple tube bumper and 360 degree nerf bars that adds protection from damage on or off-road, large pass-thru storage with slam latch door and magnetic catches and full LED light strip, a back-up camera and an exterior entertainment center with HDTV, Bluetooth sound bar and PlayStation 4 gaming system

Interior features are as follows: euro-designed ultra-soft furniture package with midnight accents, custom butcher block dining table, ten-second Murphy bed system (sofa by day and bed by night) allowing for 22% more living room area, gas/electric seven cubic-foot refrigerator, dual power fan with built-in rain sensor, safe “T”ek hidden USB and 110 charging station, STOR-MOR night stands with USB and 110 outlets, extended hidden storage area, concealed wall safe and HDTV with Bluetooth DVD player.

For more information please visit:KZ-RV.com

Images courtesy of: ThorIndustries.com

The DBZ Centenary Collection: A Pair of Timeless Classics

Just ahead of Zagato’s 100 year anniversary; we have learned that once again the Italian design firm has partnered with Aston Martin to create an offering that is simply exceptional. The stunning Aston Martin DBS GT Zagato is the product of this collaboration, which will complete the DBZ Centenary Collection.

The DBZ Centenary Collection was launched as a celebration of the long standing relationship shared by Zagato and Aston Martin which has spanned over half a century. At the heart of this collaboration is a steadfast approach to honoring an iconic past while creating automobiles, which will be classics for a future generation of automotive enthusiasts; and at The Extravagant we expect the breathtaking DBS GT Zagato to be no exception to this statement.

“In the DB4 GT Zagato Continuation we have one of the world’s most beautiful and instantly recognisable pieces of car design. Creating a car fit to stand alongside it was always going to be a formidable challenge, but also a great motivation. Both design teams at Aston Martin and Zagato have together risen to the task magnificently; taking the already fabulous DBS Superleggera and shaping something which retains its identity as an Aston Martin, but expresses itself as only a Zagato can. Sensational-looking and extremely rare, it is the modern incarnation of a timeless icon,” said Marek Reichman, Executive Vice President and Chief Creative Officer of Aston Martin Lagonda.

The design of the DBS GT Zagato began with inspiration from the DBS Superleggera, currently one of Aston Martin’s most popular models. Immediately noticeable on the new vehicle are its characteristic, aggressive wheel design and ‘striking’ front grille. An evolutionary design approach served as a foundational element for the new GT Zagato; this is immediately apparent when viewing the vehicle, which shares a set of modernized soft shapes with the original DB4 GT Zagato from the 1960s. The most apparent example of these similarities is the ‘double-bubble roof’ which was an iconic element on the original GT Zagato. That element, which elongates the vehicle’s elegant roof line and bonnet, promotes an innovation of the previous generation’s design language in this new creation. Furthermore, the new GT Zagato’s flowing lines exemplify a ‘wide wrap-around windscreen’ which eliminates the hard, sharper lines that are found on the DBS Superleggera’s profile. An athletic rear end completes the new GT Zagato and gives the vehicle a powerful stance.

Only 19 Aston Martin DBS GT Zagatos will be crafted and each will be sold with a newly built DB4 GT Zagato Continuation, which will be made by Aston Martin and Zagato to the exact specifications of the original 1960’s DB4 GT Zagato.

The first deliveries are expected to begin in the fourth quarter of 2019 for the DB4 GT Zagato Continuation, and the fourth quarter of 2020 for the DBS GT Zagato. The two cars are being sold together as the DBZ Centenary Collection for £6 million GBP (excluding taxes). This offering, which includes two of the automotive world’s most stunning creations, is equally matched in both beauty and rarity that will likely make them unicorns for future collectors.

Images courtesy of: Aston Martin

When Art is Not About Art, But About You

Fred Sandback, American, 1943-2003. Untitled (One of Four Diagonals), 1970. Black Elastic Cord Installed Across a Room from an Upper Corner to the Lower Corner of the Diagonally Opposite Corner.

Standing at the entrance to the Spaces: Works from the Collection 1966-1976, I hesitated, unsure whether to go in. There was almost nothing inside. From where I was standing, all I could see was just a black elastic cord installed across a room. I was trying to examine the elastic cord and expected that there might be something special about it. However, it’s just a cord.

For subject matters like this elastic cord, the lack of any apparent meaning is my first impression, and probably a common impression for most people. However, this minimalism installation in the National Gallery of Art is not about exhibits themselves, but the environment around them, including viewers.  

Traditionally, the way we interpret art is by studying artworks themselves. The “seven elements of art” (line, form, shape, color, value, space, texture) is always a good start. If we associate the artwork with the historical context where it was created, some metaphorical subtext can be further deduced. Since this classic appreciation is subject-oriented, viewers tend to hustle themselves into the closest position to the artwork, in order to get a better vibe of it.

Minimalism, on the other hand, urges its audience to wander around and observe the art from a distance. It further rejects the subject-oriented expectation of art by using materials from mass production, which counters peoples’ premise about the exclusiveness in art.

Created by Fred Sandback in 1970, Untitled (one of Four Diagonals) consists of a black elastic cord diagonally dividing the volume of the gallery space into two equal triangles. The design of this installation is based on an idea about the fractal expansion of the triangle. Standing and observing the elastic cord from different angels, viewers can experience how the volume of room is exposed under a series of triangle zones. What makes this installation mathematically beautiful is that the gallery space where the artwork is displayed has often changed and the shifting situations challenge Sandback to coordinate the cord and its visual effect within irregular space of the gallery.

Untitled (Battered Cubes), an exhibit placed in the room next to the display of elastic cord, reveals the volume of gallery space with a different technique—closed geometric shapes. Four identical fiberglass cubes with slanted profiles are installed on the floor. This time the space of the room is divided not by a single diagonal line, but planes extending from surfaces of cubes. Cubes are separated from each other with blank space, which can be perceived as a symbol of individualized existence. However, as a whole, repeated geometric surfaces are echoing with each other, serving as reference points to help viewers navigate around the room.

Collaborating with choreographers Anna Halprin and Yvonne Rainer, Charles Ross’s Hanging Islands introduces an important element—light—to the expression of minimalism. Hanging in the room by metal strings, six sets of six identical prisms constructed with Acrylite are placed with identical spaces between them.

As viewers walk around the room, they may notice that reflections of prisms on the floor diminish in scales starting from the front wall to the back wall of the room. Meanwhile, the color of reflections of light disperse across the front wall and finally fades out as reflections reach at the foot of front wall. Depending on where viewers stand, their visual experiences change, which mimics theatrical performance where seating influences audience’s perception of performers.

I walked back to the entrance at the end of my tour. When I was pacing back and forth to take some pictures of wall texts, I noticed a guard standing at the corner fenced by that elastic cord exhibit. He looked at me for a second and shifted his eye to the outside of the exhibition. I wondered if he saw a different image of space divided by the cord from there.